Béu : Chapter 4: Difference between revisions

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However there are other verb forms.
However there are other verb forms.
While the men are waging war, the women are at home by themselves
men wagURAI war, woman at home by themselves
------
After their master has ordered it, the slaves begin to work
...AU... ???


==S-form of the verb==
==S-form of the verb==

Revision as of 06:38, 7 October 2012

-ho or  : pilana noka ... (the ninth pilana)

"in the company of", often used with the personal pronouns ;-

with me paho with us yuaho
with us wiaho
with you giho with you (plural) jeho
with him, with her oho with them nuho
with it ʃiho with them ʃiho

-tu or pilana niapa ... (the tenth pilana)

The instrumental is used for nouns that represent the instrument ("with"), the means ("by"), the agent ("by"), the reason, or the time of an event.

Rāma writes with a pen

baru = to learn, baru.tu = by learning ... without learning ??? ... maybe, maybe


book was written patu = The book was written by me

hand.tu = manually

I work as a translator ??? ... I work sai translator ??

tù ta ...


tùa = to use, to wear ... tài a SVC meaning ?? .... then bai

-wa or  : pilana nuata ... (the eleventh pilana)

Or is it wo ?

As well as marking the topic, wa is also used for marking the "theme" ? as in such sentences as the one below.

gala caturi jono.wa => The women were talking about John

Needless to say that the element jono.wa can not be fronted, well not unless you want to make John the topic.

nambo.wa = about the house, concerning the house, with respect to the house

-n or  : pilana najau ... (the twelfth pilana)

Note ... We can have genitives and we can have "genitive phrases". A genitive phrase has no suffix, but the particle must be placed immediately in front of it.

The son of the king => sonda blicon

The son of the old king => sonda nà blico gáu


A genitive or a genitive phrase can be considered an adjective. Ownership is also shown by the genitive, however note that when the head is a multi-syllable word and the owner is a stand alone pronoun, then ownership is shown by an infix in the actual head (see "Possessive Infixes").


Sticking -n on the end of a noun, is equivalent to sticking the particle "of" in front of a word in English. For example;-

fanfa = horse

sonda = son

blico = king

fanfa sondan = the horse of the son

sonda blicon = the son of the king

However the suffixed form can only be used if the genitive is a single word. Otherwise the particle na must be placed in front of the words that qualify. For example ;-

We can not say *fanfa sondan blicon. The head of the NP is fanfa and it is being qualified by two words. So we have to say;-

fanfa nà sonda blicon

However it is not allowed to use if a suffix can be used.

So we can not say *kyolo nà kaunu (coat collar) but must say kyolo kaunun

We can not say *kaunu na jene (Jane's coat) but must say kaunu jenen

However if any of these nouns is qualified by an adjective, then -n can not be suffixed. For example ;-

fanfa nà sonda jini blicon = "the horse of the king's clever son

fanfa nà sonda nà blico somua = "the horse of the fat king's son"


This is a special construction that relates pronouns to the geladi. For example ;-

= to see polo = Paul timpa = to hit jene = Jenny

wori polo timpana = He saw paul hitting

wori pà timpana ò = He saw me hitting her

wori jene sana timpi = He saw Jenny being hit

wori polo timpana jene = He saw Paul hitting Jenny

wori pás timpa jene = He saw me hitting Jenny.

In the above constructions the word order must be as shown above.

-ji or  : pilana najauja ... (the thirteenth pilana)

the benefactor (for) of an event. The dative form of a verb infinitive (which acts like a noun) indicates purpose.

baru = to learn, baruji = in order to learn

So we have -ji appended to single word NP's.

R-form of the verb

Above we have discussed the R-form of the verb.

However there are other verb forms.

While the men are waging war, the women are at home by themselves

men wagURAI war, woman at home by themselves


After their master has ordered it, the slaves begin to work

...AU... ???

S-form of the verb

This form is used for giving orders. With the s-form you definitely want some action to happen (and you don't expect a discussion about it).

Up until now, 7 protagonists have been expressed in every verb. With the s-form however only two protagonists can be expressed.

doikis = walk (when talking to one person)

doikes = walk (when talking to more than one person)

Very occasionally the form doikas is heard. When somebody has difficulty preforming some task the may "order" themselves to do it.

N-form of the verb

This is the subjunctive form. You change the "r" to an "n" basically. Nothing comes after the "n". So there is no tense/aspect or evidentiality expressed on this verb form. When the n-form is used in a main clause, it is gently urging some action. For example ;-

doikain = Let's walk

ME-form of the verb and the MI-form of a verb

These tenses are often called the 'conditional', that is, they express a supposition depending on a certain condition. When referring to present time the ME-form is used ; when referring to past time and the condition has no chance of now being realised the MI-form is used.

if knowame to read buyame book => If I knew how to read I would buy a book.

if knowami to read buyami book => If I had known how to read I would have bought a book.

AI-form of the verb

The ai-form comprises three functions. In the béu linguistic tradition, these are called "noun-ai", "verb-ai" and "small-verb-ai".

Major Verb "ai"

singai laughai loʔura namboʔe => They go home singing and laughing

loʔura nambo singai laughai => They go home singing and laughing

This is used when things happen at the same time and the subject of all the verbs is the same. Notice that the ai-forms can come before or after the r-form verb.

This form can not be used when consecutive actions are being described.

Minor Verb "ai"

The small verbs constitute a subset of verbs. They always follow the r-form verbs.

It is very common to have the following verbs in their ai-form.

bià means "to stay"

bài doikari = I was walking

bài doikara = I am walking

bài doikaru = I will be walking

The most common use for this is when you want to fit another action, inside the act of walking. For example "I was walking to school when it started to rain". Occasionally this form is used when you simply want to emphasis that the action took a long time (well in béu anyway, not so much in English). For example "This morning I was walking 2 hours to school (because I sprained my ankle)".

láu = to become

I painted the house red = paintari nambo lái hìa


bwò = to receive, to get, to undergo

bwaru timpa = I will be hit

bài bwài timparu = I will be being hit ??

kye = to give

kyari òye solbe

(pás) kyari oye timpa glá = I made him hit the woman

gain only one verb and it is transitive. There are two ways that we can make an intransitive clause.

1) pintu lí mapa = The door became closed ... this uses the adjective form of mapa and the "copula of becoming" láu.

Agent => Anything ... It could be that the agent was the wind ... or even some evil spirits ... use your imagination.

2) pintu bwori mapau = The door was closed ... this is the standard passive form.

Agent => Human and the action deliberate ... It strongly implies that the agent was human but is either unknown or unimportant.

Let us go back to gèu and consider gèu in an intransitive clause. As above we have 3 ways.

1) báu lí gèu = The man became green ... this uses the adjective form of gèu and the "copula of becoming" láu. This form has no implication as to the humanness of the agent.

Agent => Anything and the action could be accidental.

2) báu bwori geuldu = The man was made green ... this is the standard passive form. It strongly implies a human agent but the agent is either unknown or unimportant.

Agent => Human and the action deliberate

3) báu tí geuldori = The man made himself green ... this form implies that there was some effort involved.

Agent => The man and the action deliberate


= to come

= to go

= to rise ... sái : to raise ... slái

= to descend ... gàu : to lower ... glàu

= to enter ... poi : to put in ... ploi

= to go out

= to follow

= to cross

= to go through

= to pass

= to return

= to do something in a haphazard manner, to do something in an unsatisfactory manner

= to scatter about

= to hurry

= to do accidentally ??

The above are often stuck on the end of an utterance ... like a sort of afterthought. They give the utterance a bit more clarity ... a bit more resolution.

See what Dixon has in Dyirbal.

ai-form only with r-form or can also go with n-form, etc. etc.

You can add as many verbs as you want. The added verbs are understood to have the same protagonists, gwomai and evidentiality as the r-form verb.

passorla singai kite flyai = He is passing by singing and flying a kite

WHAT ABOUT SEPERATE OBJECTS ON THE TWO VERBS ?

WHEN WE INTRODUCE "ALONG" (FOR EXAMPLE) WE ARE INTRODUCING A NEW OBJECT IN THE CLAUSE ???

..... KENKO

keŋko = salt ... base form ... noun

keŋkia = salty ... adjective

keŋkua = salt-free ... adjective

keŋkari = I added salt ... verb (transitive)

keŋkodu is the gelada form

keŋkatari = I make (someone) add salt ... verb

AIYA

This word is used instead of for negating the copula gaza and also for negating the 4 modalities/modals ??? nagai, glopai, oldai and hentai.

jene oldai mò humpora cokolate => Jane can not eat chocolates ... meaning she has the willpower to resist them.

jene aiya oldai humpora cokolate => Jane can't eat chocolates ... she is a diabetic and can not eat anything sweet.

jene aiya oldai mò humpora cokolate => Jane can not eat chocolates ... meaning she can't resist them.

Actually in the above example, aiya is an emphatic negative. It is more normal just to criticise ya to the end of the modal to negate it. ;-

jene oldaiya mò humpora cokolate => Jane can not resist chocolates.

-UZHI,

poma = leg

pomadu = to kick, pomari = I kicked

pomuʒi = liable to kick, fond of kicking


to play lento playful lentuʒi
to rest/relax loŋge lazy loŋguʒi
to lie selne untruthful by disposition selnuʒi
to work kodai diligent koduʒi

.... -MA, and -GO

pronounced operation label example
-ma adjective => noun "-ness" or "-ity" boi.ma = goodness
-go noun => adjective, plus adjective => adjective, plus verb => adjective "ish" gla.go = effeminate, hia.go = reddish, bla.go = quarrelsome
gèu green geu.ma greenness
juga wide juga.ma width
tumu stupid tumu.ma stupidity
bòi good boi.ma goodness
mutu important mutu.ma importance

-go

= to resemble, to be like

gó dó = to be the exact image of

gla.go = effeminate, hia.go = reddish, bla.go = quarrelsome

Sometimes the -go derived words have negative connotations, as in gal.go

There is a suffix -ka (notice it is not considered a pilana), that often has a positive connotation, sometimes making a couplet with a -go derived word. For example ;-

gla.ka = womanly

kài = to appear, to seem

= appearance

Beyond the simple clause

OK we have simple clauses such as ;-

donoru = She will walk ... intransitive

(ós) timpori pà = She hit me ... transitive

But often things are more complicated. First consider the verb "want".

When the object is a noun, we have a simple clause. But what if there is another verb in there. For example "I want to go home"

Well this would use the gelada form of "go" ;-

1) wantara dono nambye => I want to walk home .... The same as in English.

But what if we have different subjects. Well we would use the subjunctive form of the verb "to walk" ;-

2) wantara (gì) donin nambye => I want you to walk home (I have to go back and change the forms of the verb ?? subjuctive used to be "s" not "n", now "s" is imperative ??))

... notice that we do not use the infinitive as in English.

What about making things more complicated and having a transitive verb.

3) wantara timpa òs => I want to hit her ... (word order important or not ??)

4) wantara (gì) timpin òs => I want you to hit her

Now we have said before that béu has free word order, however this really only applies to the verb in R-form (R) and the S argument in an intransitive clause, and the R, A and O in a transitive clause. When you have a verb in geladi-form (G), in the subjunctive form (N) or in the imperative form (I), you must have these elements in the following order ;-

S G : S N ... the last of these (S -S ) is quite unusual. Maybe can have S I ... but then S must be in vocative case

A G O : A N O : I O ... expand this and make it look good. Maybe can have A I O ... but then A must be in vocative case


In the béu linguistic tradition, a clause that has one R verb in it, or one N verb, or one I verb is called aʒiŋko baga or a simple clause. Any clause that has an R verb plus an G or N, verb is called a aʒiŋko kaza or a complex clause.

..... Getting the opposite by adding "u"

.... A prefix for adjectives

taitau = many

utaitau = few

mutu = important

umutu = unimportant

.... and a prefix for adverb

nan = for a long time

unan = not for a long time

.... and a prefix for nouns

mezna = to fight

meznana = combatant

umeznana = non-combatant

As in English, not found that often. Sometimes found in rule books.

.... but an infix for verbs

There is a reason why we do not simply prefix u to the verbs also.

kanja = to fold

kunjana = "folding" (an adjective) or "one that folds" (a noun)

ukunjana = "one that doesn't fold"

Suppose we did simply prefix u to the verb. Then "to unfold" would be ukanja, and hence ukanjana would be a noun meaning "one that unfolds". But if you look up a bit, you can see that this form (ukanjana) already has the meaning "one that doesn't fold". This would cause confusion.

kunja to fold kunjua to unfold
laiba to cover laibua to uncover
fuŋga to fasten, to lock fuŋgua to unfasten, to unlock
benda to assemble, to put together bendua to take apart, to disassemble
pauca to stop up, to block paucua to unstop
sensa to weave sensua to unravel
fiŋka to put on clothes, to dress fiŋkua to undress
tasta to tangle tastua to untangle

Note that in any other form but the geladi, the u changes to a w. For example ;-

fiŋkwori = he undressed

The time of day

= day

The béu day begins at sunrise. 6 o'clock in the morning is called cuaju

The time of day is counted from cuaju. 24 hours is considered one unit. 8 o'clock in the morning would be called ajai (normally just called ajai, but cúa ajai or ajai yanfa might also be heard sometimes).


6 o'clock in the morning cuaju
8 o'clock in the morning ajai
10 o'clock in the morning uvai
midday ibai
2 o'clock in the afternoon agai
4 o'clock in the afternoon idai
6 o'clock in the evening ulai
8 o'clock in the evening icai
10 o'clock at night ezai
midnight okai
2 o'clock in the morning apai
4 o'clock in the morning atai

Just for example, let us now consider the time between 4 and 6 in the afternoon.

16:00 would be idai : 16:10 would be idaijau : 16:20 would be idaivau .... all the way up to .... 17:50 which would be idaitau

Now all these names have in common the element idai, hence the period from 4 o'clock to 6 o'clock is called idaia (the plural of idai). This is exactly the same as us calling the period from 1960 -> 1969, "the sixties".

The perion from 6 o'clock to 8 o'clock in the morning is called cuajua. This is a back formation. People noticed that the two hour period after the point in time ajai was called ajaia(etc. etc.) and so felt that the two hour period after the point in time cuaju should be called cuajua. By the way, all points of time between 6 a.m. and 8 a.m. MUST have an initial cuaju. For example "ten past six in the morning" would be cuaju ajau, "twenty past six" would be cuaju avau and so on.

If something happened in the period from 4 o'clock to 6 o'clock, it would be said to have happened idaia.pi

Usually you talk about points of time rather than periods of time. If you arrange to meet somebody at 2 o'clock morning, you would meet them apaiʔe.

But we refer to periods of time occasionally. If some action continued for 20 minutes, it will have continued nàn uvau, for 2 hours : nàn ajai (nàn means "a long time")

In English we divide the day up into hours, minutes and seconds. In béu they only have the yanfa. The yanfa is equivalent to 5 seconds. We would translate "moment" as in "just a moment" as yanfa also.

The town clock

Every town has a clocktower and the clocktower has 4 faces, which are aligned with the cardinal directions. The street pattern is also so aligned : that is the four biggest streets radiate out from the clock in the cardinal directions.

Each face displaying a clock similar to the one below.

TW 93.png

The above figure shows the time at exactly 6 in the morning. You notice that the main (hour hand) hand is pointing to the right : it starts from the horizontal. This hand sweeps out one revolution in 24 hours and it moves anti-clockwise

Notice that secondary (minute hand) starts from the vertical and sweeps out a revolution in 2 of our hours. It moves clockwise. And actually when it passes the main hand, there is a clever mechanism to stop it being hidden. It stops 3.75 minutes at one side of the main hand, and then moves directly (2 steps) to the other side of the main hand and stops there for 3.75 minutes. After that it does a step and waits 2.5 minutes, etc. etc. ... until it encounters the main hand again.

The red and the black arms do not move continuously but move in steps. The primary arm moves 3.75 degrees every 15 minutes, and the secondary arm moves 7.5 degrees every 2.5 minutes.

The clocktower is surmounted by a green conic roof (actually not really conic ... the roof slope decreases as you get nearer the bottom). Lighting from under the roof could be provided for each face. Either that or the faces could be illuminated from within at night. The faces are not exactly vertical but the top slightly overhangs the bottom.

There is never any numbering on the face.

The clock also emits sounds. Every 2 of our hours the clock makes a deep "boing" which reverberates for some time. Also from 6 in the morning to 6 at night, the clock emits a "boing" every 30 of our minutes. The first "boing" has no accompaniment. However the second "boing" is followed (well actually when the "boing" is only .67 % dissipated) by a "sharper" sound that dies down a lot quicker : "teen". The third "boing" has 2 "teen"s 0.72 seconds apart. The fourth has 3 "teen"s. The fifth one is back to the single "boing" and so it continues thru the day.

The secondary hand and the 36 diamonds should be ...

East face => white or even better, silver

North face => light blue

West face => green

South face => dark blue

(The drawing is a bit out in this respect).

Index

  1. Introduction to Béu
  2. Béu : Chapter 1 : The Sounds
  3. Béu : Chapter 2 : The Noun
  4. Béu : Chapter 3 : The Verb
  5. Béu : Chapter 4 : Adjective
  6. Béu : Chapter 5 : Questions
  7. Béu : Chapter 6 : Derivations
  8. Béu : Chapter 7 : Way of Life 1
  9. Béu : Chapter 8 : Way of life 2
  10. Béu : Chapter 9 : Word Building
  11. Béu : Chapter 10 : Gerund Phrase
  12. Béu : Discarded Stuff
  13. A statistical explanation for the counter-factual/past-tense conflation in conditional sentences