User:Masako/naho

grammar outline and resources

• en.wikipedia.org/wiki/Lingua_Franca_Nova_grammar
• zompist.com/virtuver.htm
• languagesgulper.com/eng/languages.html

Introduction (soka)

Kala is a personal conlang (actually more of an artlang), based on my aesthetic preferences, not attached to any conworld or conculture. This language draws on natlangs (natural language), other conlangs, and of course imagination. Kala was started in late 2009. The phonemic inventory is based on Classical Nahuatl while the syllable structure and vowels are based on the strict (C)V structure of Japanese, and the presence of prenasalized stops is influenced by Bantu languages. Kala’s grammar was initially based on Japanese but has changed based on influence from several natural and constructed languages. Many – if not most – of Kala lexemes are derived from or inspired by natural languages. A few have been taken from previous projects or constructed languages such as Ajara (a cipherlang from my youth), Qatama (a conlang that I abandoned several years ago).

Characteristics (tomilo)

Kala is a mostly agglutinative language that makes extensive use of compounding, incorporation, and derivation. That is, it can add many different prefixes and suffixes to a root until very long words are formed, and a single word can sometimes constitute an entire sentence. Kala has two parts of speech. Nouns and verbs are content words, while particles (and others) tend to be only functional. Many content words can be used as both nouns and verbs. The best and most common example would be ina /iːˈna/ "food; to eat". Kala is a context-oriented language. In most cases, the more important elements of a phrase are clustered toward the end of the sentence (e.g. verbs and their modifiers). The less important an element is to the understanding of a sentence, the more likely it is to be dropped. Consequently, many Kala sentences end-up consisting solely of a verb (or adjectival verb); more so in conversation than in written Kala, these short phrases are grammatically correct and natural. Here are some examples:

• muya ka - /muˌja gaː/ - do Q - (What are you) doing?
• ina - /iːˈna/ - eat - (I am) eating.
• tamatse - /tamaːˌt͡ʃɛ/ - good-seem - (That looks) good.
• ueha ka - /weːɦa kaː/ - want Q - (Do you) want (some)?
• nyasak - /ɲaːʃak/ - thank-NEG - No, thank (you).

Notice that none of the above contains any pronouns, or nouns. Any contextually understood elements may be omitted unless indispensable. There can be considerable divergence from what is grammatical, and what is acceptably idiomatic. The spectrum of formality and grammatical to idiomatic can be seen in the example below:

• na’etla muyaye – 1s-P.4s do-PST – I did it. > [grammatical, formal]
• etla muyaye – P.4s do-PST – (I) did it. >> It was done. > [grammatical, formal, passive]
• na muyaye – 1s do-PST – I did (it). > [grammatical, informal]
• muyaye – do-PST – (I) did (it). > [semi-grammatical, idiomatic]
• muyye – /muːjjɛ/ – do-PST – (I) did (it). > [ungrammatical, idiomatic]

Borrowing (kasu)

Kala borrows extensively from various natural languages. This is a very small sample of borrowings:

• pato – duck (Anatidae); from Spanish pato
• kala – to speak, talk, converse; from Arabic takallama
• myonta – to allow, permit; from Finnish myöntää
• na – I, me; from Arabic ʾanā
• tsenka – orange; from Chinese chéng
• uasi – to take, get, acquire; from Lakota wasichu
• a – to be, exist, yes; from Japanese aru

Phonology (otonaho)

Consonants (hapu)

• Where ~ appears, it indicates free variation between phonemes.

Consonants

	Labial	Alveolar		Palatal	Velar	Glottal
Nasal	m (m)	n (n)		ɲ (ny)
Plosive	p~b (p)	t~d (t)			k~g (g)	ʔ ( ' )
Affricate		ts~t͡ʃ (ts)	t͡ɬ~tl (tl)
Continuant		s~ʃ (s)	l~ɾ (l)			h~ɦ (h)
Semivowel				j (y)	w (u)

The glottal stop is not phonemic but is included in the chart above for completeness. It is only ever intervocalic, meaning it is pronounced between two vowels and/or diphthongs that are not connected. Where ~ appears, it indicates free variation between phonemes. However, certain sounds change in a predictable way. For example, /h/ becomes [ɦ] when preceded or followed by a front vowel, including when labialized or palatalized. The alveolar affricates are most often /t͡ʃ/ and /t͡ɬ/. The “s” is almost always /ʃ/ unless preceded or followed by a syllable with the onset /t͡ʃ/, in which case “s” becomes /s/. So, sama (sun; star; solar) is /ˈʃaːma/ where sitsa (heat; hot) is /ˈsiːt͡ʃa/ and tsisi (embroider; embroidery) is /t͡ʃiːsi/.

• Prenasalized: /ᵐp ⁿt ᵑk/
• Labialized:/pʷ kʷ mʷ nʷ ʃʷ hʷ t͡ʃʷ/
• Palatalized: /pʲ kʲ mʲ hʲ/

Note: Because of its small phoneme inventory, Kala allows for quite a lot of allophonic variation. For example, /p t k/ may be pronounced [b d ɡ] as well as [p t k], /s l h/ as [ʃ ɾ ɦ], and /t͡s t͡ɬ/ as [t͡ʃ t͡l]; also, vowels may be either long or short.

Vowels (musa)

Vowels

	Front	Back
Close	i~ɪ (i)	u~u: (u)
Mid	e~ɛ (e)	o~o: (o)
Open	a~a: (a)

Kala has five vowels /i/, /e/, /a/, /o/ and /u/. Each occurs in both stressed and unstressed syllables. Phonetic nasalization occurs for vowels occurring between nasal consonants or when preceding a syllable-final nasal, e.g. tsunka [ˈt͡ʃũᵑka] ('bug').

Diphthongs (umomusa)

Phonetically, Kala has only two diphthongs, both falling; [aɪ̯] and [aʊ̯], but there are five syllables that can be analyzed as rising diphthongs; [wa], [we], [ja], [je], and [jo]. The two triphthongs [waɪ̯] and [jaʊ̯] are very rare but should be noted as possible.

Phonotactics (otomato)

Kala words are typically made up of open syllables of the type CV (consonant-vowel) with most words having syllables exclusively of this type. There is a limited set of syllables allowed by Kala phonotactics, similar to Japanese or Chinese.

• /l/ cannot occur word initially (except in loan words and toponyms).

Syllables (tloko)

Syllable structure in Kala is typically made up of open syllables of the type CV (consonant-vowel) with most lexemes having syllables exclusively of this type. The exception to this rule are the endings –m (indicating general plural), -n (indicating adverbial or adjectival use), and –k (indicating negative mood). These endings all are word final. In detail a Kala syllable can be analyzed thusly: (N)(C)(u, y)V(a, i) where (N) indicates nasalization, and u and y indicate labialization and palatalization respectively.

Syllable Chart (ualitloko)

the 136 basic Kala syllables

	a	e	i	o	u	ua	ue	ya	ye	yo	ai	ao	uai	yao
p	(m)pa	(m)pe	(m)pi	(m)po	(m)pu	pua	pue	pya	pye	pyo	pai	pao	puai	pyao
t	(n)ta	(n)te	(n)ti	(n)to							tai	tao
k	(n)ka	(n)ke	(n)ki	(n)ko	(n)ku	kua	kue	kya	kye	kyo	kai	kao	kuai	kyao
m	ma	me	mi	mo	mu	mua	mue	mya	mye	myo	mai	mao	muai	myao
n	na	ne	ni	no	nu	nua	nue	nya	nye	nyo	nai	nao	nuai	nyao
s	sa	se	si	so	su	sua	sue				sai	sao	suai
h	ha	he	hi	ho	hu	hua	hue	hya	hye	hyo	hai	hao	huai	hyao
ts	tsa	tse	tsi	tso	tsu	tsua	tsue				tsai	tsao	tsuai
tl	tla	tle	tli	tlo							tlai	tlao
l	la	le	li	lo							lai	lao
-	a	e	i	o	u	ua	ue	ya	ye	yo	ai	ao	uai	yao

Syllables such as nsa, ntla, or ntsa can occur but usually only in place names or loanwords. The red syllables above occur infrequently and most often as the final syllable of a word.

Stress

Stress generally falls on the penultimate syllable, which means that stress is de facto initial in most lemma given that stems are most often (CVCV) with the exceptions of negatives and words that end with a syllable onset palatal approximant, in which case stress is ultimate.

Syntax / Word order

Kala has an extremely regular grammar, with very few exceptions to its rules. Sentences are made up of one or more phrases. Each phrase consists of a verb (optionally followed by modifying particles) and a subject (optionally followed by modifying particles). The subject, if understood, can be omitted at the end of an utterance: pana = "It is raining." pana! = "Rain!" An utterance can be anything from an interjection to a story.

Morphology

adjectives

• Attributes
  • Adjectives used attributively appear after the noun, without modification: nahi aya 'a beautiful girl'; paka hikya 'an old idiot'.

• Predicates
  • As predicates they are a bit more complicated; in effect they are partially converted into verbs. No copula is used. In the simplest form, the adjective simply appears after the noun, in verbal position:

adverbs

• japaneselanguageguide.com/grammar/adverb.asp
• bruce-the-korean.blogspot.com/2015/11/adverbs-and-adverbials.html