Béu : Chapter 3 : The Noun: Difference between revisions
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== ..... The PILANA | == ..... The PILANA ... markers for the béu case system== | ||
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Revision as of 18:09, 29 July 2015
..... The ergative marker and word order
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In English it is the order of the verb and the participants involved with the action (arguments) that shows who did what to who. In béu the order of the verb and the arguments does not give this information. Rather the form of one argument changes. The argument which initiates the action is given the suffix -s. For example ...
glás bàu timpori = The woman has hit the man
glá bàus timpori = The man has hit the woman
By the way, we will call "that which initiates the action" the A argument, and "that which is affected by the action" the O argument. This terminology is used for convenience (after the manner of RMW Dixon).
But what about a verb that takes only one noun : an intransitive verb (we will call this lonely noun the S argument).
In most languages the S argument is marked the same way as the A argument. However in a minority of languages the S argument is marked the same way as the O argument. These are called ergative languages.
béu is an ergative language. About a quarter of the world languages are ergative or partly ergative.
In English only 2 orders are found. Namely ... SV and AVO ... (V = verb). However in béu you have what is called "free word order". This means that you can come across the following 8 orders ... SV, VS, AVO, AOV, VAO, OVA, OAV and VOA.
But actually in a piece of discourse, it is most likely that the S or A argument are old information and probably the topic (the thing that you have been going on about for some time). In béu the topic is dropped and so the 8 sentence types shown above collapse into 3 sentence types. Namely ... V(s), O V(a) and V(a) O*
* V(s) represents a verb marked for the person/number of the S argument and V(a) represents a verb marked for the person/number of the A argument.
Note on ambitransitive verbs ...
In English there are some verbs that sometimes take one participant and sometimes involve two participants. For example "knit" or "turn". In English you know if the verb is appearing in its intransitive form if an extra argument turns up after the verb (that is ... an O argument has turned up) ... S and A appear the same in English.
Similarly in béu there are some verbs that sometimes take one participant and sometimes take two participants. For example mekeu "knit" or kwèu "turn". In béu you know if the verb is appearing in its intransitive form if an extra argument turns up with the ergative marker -s attached (that is ... an A argument has turned up) ... S and O appear the same in béu.
Further notes on nomenclature ...
Dixon calls "knit"/mekeu an ambitransitive verb of type S=A or an [S=A ambitransitive verb].
I call "knit"/mekeu an ambitransitibe verb of type "one unaffected argument" or an [unaffected ambitransitive verb].
For "knit" the preverb argument* is either S or A .... For mekeu the unaffected argument is either S or A.
Dixon calls "turn"/kwèu is an ambitransitive verb of the type S=O or an [S=O ambitransitive verb].
I call "turn"/kwèu an ambitransitibe verb of type "one affected argument" or an [affected ambitransitive verb].
For "turn" the affected argument is either S or O .... For kwèu the naked argument** (i.e. no -s) is either S or O.
*It is also the unaffected argument.
**It is also the affected argument.
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..... Possession & Existence
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The verb yái means "to have on your person" or perhaps "to have easy access to" if we are talking about a larger object. For example ...
jonos yór ama = John has an apple
As with all transitive verbs it has a passive form.
jono yawor = John is present .... short for jono yawor hí día
ama yawor hí jono = The apple is on John's person
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The verb wàu means "to possess legally" to "own"
jenes wàr wèu = Jane owns a car
And the passive form ...
wéu wawor hí jene = The car is owned by Jane
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yái is also used to show location.
ʔupais yór bode = "there are small birds in the tree"
Note ... a copular expression can also be used to express the above ...
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"There is a God" => God is real
"There is no God" => God is imaginary
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’’’yái’’’ = to be in possession of (on you) …….……. ability => sometimes
‘’’wàu’’’ = to possess (legally) ………………………. obligation/duty => inevitability
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..... Definiteness
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Actually the two common orders usually found in transitive sentences ( O V(a) and V(a) O ) are used to code definiteness. For example ...
1) glá timpori = he hit the woman (the woman is known to the addressee and (probably) known to the speaker)
In the above example the noun comes before the verb and is taken as definite. However If a noun comes after the verb it is indefinite ...
2) timpori glá = he hit a woman (the woman is unknown to the addressee, whether she is known to the speaker is unspecified)
béu also has two other kinds of indefinite ...
3) timpori é glá = he hit some woman (the woman is unknown to the speaker and probably unknown to the adressee)
4) timpori glá fawai = he hit a certain woman (the woman is known to the speaker but probably unknown to the addressee)
fawai literally means known. However the who that does this "knowing" can sometimes be a bit hazy. For example ...
She wants to marry a certain Norwegian ?? ... in this case the Norwegian is unknown to the addressee, presumably "she" is doing the "knowing", so in this case we would say whether the Norwegian is known to the speaker is unspecified.
So to recap ...
1) If the NP is before the main verb => NP known to addressee
2) If the NP is after the main verb => NP unknown to addressee
3) If the NP has é in front of it => NP unknown to speaker
4) If the NP has fawai after it => NP known to speaker (or at least known to somebody ... you must consider the wider context) ... (fawai = known ... fà = to know)
o sa fafine = a woman
o le fafine = a woman ……. known to me if not to you (Samoan)
aliquis = somebody - I don't know him,
quidam = somebody - I do know him (Latin}
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..... Pronouns
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Below are the pronouns for the S or O arguments. This form can be considered the "unmarked form". Pronouns are different from normal nouns in that their tones go from low to high as well the -s suffixation for the "unmarked" => "marked for ergativity" transition.
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| me | pà | us | yùa |
| us | wìa | ||
| you | gì | you | jè |
| him, her | ò | them | nù |
| it | ʃì | them | ʃì |
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Below are the pronouns for the A arguments (i.e. the marked for ergativity arguments).
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| I | pás | we | yúas |
| we | wías | ||
| you | gís | you | jés |
| he, she | ós | they | nús |
| it | ʃís | they | ʃís |
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jè and jés are the second person plural forms.
yùa and yúas are first person exclusive forms. That is they exclude the person being talked to.
wìa and wías are first person inclusive forms. That is they include the person being talked to.
There is one other pronoun ... the reflexive pronoun tí. This is always an O argument. Notice that it is the only O argument with a high tone.
There is a strong tendency for it to come after the A argument. For example ...
jono tí timparu = john has not yet hit myself
This particle can be amalgamated to the infinitive to give a reflexive infinitive. For example ...
timpa = to hit ... titimpa = "to self-hit"/ "to hit oneself"/"to hit yourself"
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..... The PILANA ... markers for the béu case system
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We have just mentioned the ergative case. In total there are 17 cases of course (if you were to include the unmarked case as well you have 18 different forms). They are called the pilana*.
These are suffixed to a noun and show how that word stands in relation to the rest of the sentence.
*The word pilana is built up from ;-
pila (v) = to place, to position
pilana (a, n) = positioning, the positioner
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... Specific Location
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The first 8 define location.
1) -pi = in
2) -la = on
3) -mau = above, over, on top of
4) -goi = below, under, underneath, beneath
5) -ce = this side of
6) -dua = beyond, at the far side of
7) -bene = right, at the right hand side of
8) -komo = left, on the left hand side of
These are used to give a location with respect to some object. For example …
nambopi = in the house
nambomau = on the house, over the house
[ Note ... in a lot of situations, where "on" would be used in English, "above" is used in béu. For example ...
"John is on the mountain" = "jono pobomau" not "jono pobola" ]
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... Roll
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The next 4 define the roll that the noun plays in the sentence.
9) -tu = with, using
10) -ji = for, for the benefit of
11) -s = “the ergative case”
12) -wo = about, with respect to
bàus glaji nambo bundori kontotu = the man built the house for the woman with a hammer
gala bauwo catura = the women are talking about the man
[ There are a number of words which end in n. For these words the ergative case is indicated by adding -sə. For example ...
yaivansə gador wìa = "possessions slow one down" ]
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... Motion
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The next 2 specify motion.
13) --n = to
14) -fi = from
Now these are used to give a motion with respect to some object. For example …
nambon = to the house
nambovi = from the house
[ For words ending in n, the dative suffix is -on. For example ...
nén = what, nenon = to what : mín = who, minon = to who ]
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... General Location
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The next is a “general locative”.
15) -ʔi = at, on, in
glá (yú) pà (sòr) namboʔi = My wife is at home
flovan gì pazbaʔi = Your food is on the table
boloŋgai flovanʔi = the flies are at the food (some buzzing around and some crawling on the surface of the food)
boloŋga flovanʔi = the fly is at the food (sometimes buzzing around and sometimes crawling on the surface)
boloŋga flovanla = the fly is on the food (i.e. its legs are touching the food)
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... Hybrids of motion & position
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The last two define motion AND position. They are sort of hybrids of the second pilana and the pilana of motion.
16) -lna = onto
17) -lfe = off
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... As parts of speech
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pilana of location phrases (i.e. nouns with 1 -> 8 or 15) can be considered adjectives if they come after a noun and adverbs if they come after a verb. They must come after a noun or a verb. Sometimes they come after the copula*. In this case they are adjectives. Now often the copula is dropped ... but if this dropping results in any ambiguity it can be readily "undropped".
pilana of motional phrases (i.e. nouns with 13, 14, 16 or 17) can be considered adverbs. They can come in any position because it is understood that they are qualifying the verb.
pilana phrases defining sentence rolls (i.e. nouns with 9, 10, 11 or 12) can come anywhere. They are considered nouns.
* [ Notice that in English, you can either say ... "a bird is in the tree" or "in the tree is a bird"
In béu only jwado (sòr) ʔupaiʔi is valid ... also note that in this case jwado is not definite because it is left of the verb. That rule doesn't work with the copula. ]
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... The stand alone forms
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In all the above examples the noun that the pilana qualifies is a single word. However when the pilana qualifies a NP the pilana is not a suffix but appears as an independent word. This particle comes before the NP. For example …
nambodua = beyond the house
dùa nambo yinkai hauʔe = beyond the house of the pretty girl
Below are the forms that the pilana take when appearing as independent words ...
1) pí = in
2) là = on
3) máu = above
4) gòi = below
5) cé = this side of
6) dùa = beyond, at the far side of
7) bene = the right hand side of
8) komo = the left hand side of
9) tú = with, using
10) jì = for
12) só = “the ergative case”
11) wò = about, with respect to
13) ná = to
14) fì = from
15) ʔí = at, in, on
16) alna = onto
17) alfe = off
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... The truncations of the script
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Another thing that sets the pilana apart from other particles, is that they are never written in full. Whether appearing as affixes or independent words, the vowels are always dropped.
The letter "y" represents alfe and the letter "h" represents "alna".
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..... Correlatives
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| juvan | nothing | juda | nowhere | juku | never | jubu | nobody |
| ivan | anything | ida | anywhere | iku | anytime | ibu | anybody |
| evan | something | eda | somewhere | eku | sometime | ebu | somebody |
| uvan | everything | uda | everywhere | uku | always | ubu | everybody |
These correlatives are always written in their shorthand form. See the chart above.
The first column is a contraction of jù fanyo, í fanyo, é fanyo and ù fanyo (fanyo = thing)
The second column is a contraction of jù dá, í dá, é dá and ù dá (dá = place)
The third column is a contraction of jù kyù, í kyù, é kyù and ù kyù (kyù = time/occasion)
The last column is a contraction of jù glabu, í glabu, é glabu and ù glabu (glabu = person)
The non-contracted forms are still used, usually when emphasis is wanted.
There is another row in the above table.
This is the plural equivalent of the third row of the table above. The emphatic form of the above series would be ...
è fanyo, è dá, è kyù and è glabu .... if these elements were under* the main verb, it would be more normal to use ...
fanyoi, nò dá, nò kyù and glabua .... and actually, if any word from the third row of the main table came under the main verb, you could just use ...
fanyo, dá, kyù and glabu ... in this position you have probably a 50% chance of coming across evan and a similar chance to come across fanyo ... the same with eda, eku and ebu.
One interesting point is ... well for example ubu can mean "each person" and "all the people". If ubu was the S or A argument there could be one of two verbs in a SVC. One would have the meaning "to do together"/"to cooperate" and the other would have the meaning "to work alone". If ubu was the O argument or has some other roll in the sentence there is a partical that can be put in above* ubu. This particle means something like "individual" or "independent" and would disambiguate the meaning of the béu sentence.
*I was going to say 'after" and "before", however as the béu writing system is vertical I thought I should get in the spirit of things and use "under" and "above".
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... The sandaunyo
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The sandaunyo is similar to the fandaunyo but built around a sandau as opposed to a fandau.
sandau = a verbal noun, an infinitive, a maSdar .... whatever you want to call it. Ultimately derived from the word sanyo which means "an event". (fanyo and sanyo are equivalent to the Japanese "mono" and "koto"). The word for "verb" is jaudau. Of course there is a one to one relationship between the jaudau and the sandau (as in English if you have an infinitive verb form, you are of course going to have a corresponding finite verb form).
In the sandaunyo there are fixed word orders. They are VS and VAO. If there are any adverbs or locatives they follow the S or the O. For example ...
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timpa . báu . glà = the man's hitting of the woman
timpa glà hí báu = the man's hitting of the woman
timpa glà = the hitting of the woman ... (note that this can be ambiguous in English)
timpa hí báu = the man's hitting ... (actually you wouldn't say this in English. I don't know why)
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..... The hipeza
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A hipeza could be translated as "infinitive phrase"
Now a hipe is a type of nouns. So when determiners etc. etc. are added on they must conform to the rules for regular NP's.
However they differ in that they never take plurals and are never possessed (that is followed by yú ).
Now on occasion S, O and A arguments must appear in a hipeza.
Now in the hipeza béu is quite strict on how these arguments can be added.
1) The S or A argument (if it exists or is mentioned) must come before the hipe. It is preceded by hí (the same particle that indicates the agent in the passive construction)
2) The O argument (if it exists or is mentioned) must come after the hipe. It is followed by jwìa (possibly related to jwèu ... "to endure" ( but if it was this would mean this construction takes two subjects ??)
Often in fast speech, hí and jwìa are dropped, but they are always available to make things clear.
English has quite a number of different ways of including S, O and A arguments with the infinitive. See below ...
1) Attila's destruction of Rome
2) Rome's destruction (by Attila)
3) The destruction of Rome (by Attila)
Tie in the participle phrase (equivalent to Dixon's complement clause) ???
??? Other argument relating to time, place and manner come after the S, O and A arguments ... not sure where these arguments come in, if in fact they are allowed. ???
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..... Punctuation and page layout
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The letters in a word are always contiguous, that is there is always a line running right through the word. Writing is firstly from top to bottom and secondly from left to right.
Between words there is a small break in the line. See the figure below ...
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When telling somebody how to spell a succession of words, this small break would be indicated by dù
Between some words there is a "gap/void" ?). This represents a pause. A pauses in English is represented by a comma, a colon or a semicolon. Whenever an orator draws breath, this will be reflected in the writing by a "gap/void". Also there are occasions where the grammar of béu demands a "gap/void" (for example when reading out items in a list*, or between two noun phrases that are contiguous).
Presumable in English, commas originally were always used for pauses in speech. However nowadays in English many pauses are not represented in any way (presumably in these cases when it is not necessary for reading comprehension). Also in English, in a surprising amount of times, unnecessary commas are inserted. In béu the use of "gap/void" in text has a one-to-one correspondence to pauses in speech.
*When listing items, béu is similar to English ... there is pause between every item except the last two items. Between these items, béu has lé, English has "and".
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When telling somebody how to spell a succession of words, the gap/void is indicated by saying ???
Single gaps are very common. Occasionally you can have "double gaps" and even "treble gaps". These rare creatures represent "pregnant pauses" which are sometimes used for comic effect.
When telling somebody how to spell a succession of words, a "double gap" is rendered by bauva "gap/void", a treble gap by baiba "gap/void".
Note the single point used in the "double gap" and the pair of points used in the "treble gap".
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There is also a punctuation mark called the "sunmark" ( kòi = sun ). This is basically a full-stop. The "sunmark" has double the diameter of omba (omba means "circle" and is used as a decimal point).
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There are also punctuation marks called "moonmark" ( dèu = moon ). These are basically brackets. The opening one is called "moonmark" damau and the closing one is called "moonmark" dagoi. Direct speech is enclosed in "moonmarks". These bits of direct speech are also highlighted. Usually the first speaker's words are highlighted in blue and the second speaker's words are highlighted in yellow. The highlighted area is lozenge shape. Every "textblock" the protagonists are reset ??. In a story, after the scene is set ... that is the time of speaking and the identity of the speakers have been established, then their names are dropped from the text and the kloi "speak" is also dropped. However somebody reading the text out loud would give this information from their understanding of the situation.
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In a normal narrative, everything is written in "textblocks".
(Please note ... the light lines surrounding the "textblocks" are not real. They are just there to assist me drawing)
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This is the first page in a "chapter". Notice the symbol at the top left hand side of the first "textblock". This is called a "heavy tile".
Textblocks fit in between "rails" about 4 inches apart. The width of a block should be between 60% and 90% * of the block height. Of course it is best to start a new block when the scene of the narrative changes or there is some discontinuity of the action, but this is not always possible. Then you just must arbitrarily split the text into two blocks. The standard practice is to stretch the text a bit so that the tops and bottoms of every column line up with their neighbours. XXXXXX
There is no way to split a word between two lines (as we can do in the West by using two hyphens). A "sunmark" must be next to the last word in a sentence (it can not go to the start of a new column by itself) However if a "sunmark" fall next to the bottom rail, then the next column will begin with a "sunmark". This is purely due to a love of symmetry.
The first text block starts at the top left (as you would expect). The second textblock starts below where the first text block stops. In fact the vertical space between the stop and the start of the two textblocks is equal to the horizontal "interblockspace" (see the figure above).
If the last "sunmark" of a "textblock" falls next to the bottom rail (as indeed happens with the very first "textblock" of the "chapter", then this "sunmark" is changed into a symbol called a "bottom tile". If a "textblock" ends in a "bottom tile", then what is called a "top tile" will appear before the first word of the next "textblock". This is purely due to a love of symmetry. Note that the "top tile" is exactly the same as the "bottom tile". (Actually in modern printing techniques, the text in complete "textblocks" can be stretched to prevent the final "sunmark" falling on the bottom rail)
When you come to the end of the page (you will have some sort of margin of course and not go all the way to the edge), you simply continue the block on the LHS of the next rail (or page). Below is the second page of the chapter. This page continues on from the page above.
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In every textblock, one word or short noun phrase is highlighted in red. The shape of the highlighted area is rectangular with rounded edges. Usually a noun is chosen and the more iconic the better. Statistically these highlighted words tend to come towards the beginning of the "textblock".
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There are two sizes for books. For all hardback books the size is about 8 inches by about 11 inches. For all paperback books the size is about 5 inches by about 8 inches. They are stored as shown in the figure below.
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Unlike books produced in the West, these books are held with the spine horizontal when being read. The hardback page has two "rails" per page (i.e. three dark lines).
On the paperback book, the title is written on the spine and on the front of the book. On the hardback book the title is written on the front, also there is a flap that slides into the spine. However when the book is stored on a shelf, it is pulled out and hangs down. Hence the hardback books can be easily located, even when they are in the bookshelf.
A book will be divided into chapters. A chapter will have a number and usually a title as well. Either at the end of the book or just after the chapter, there will be a page, in which all the highlighted words for a chapter are listed in order. Instead of referencing things by page number, things are reference by chapter and textblock (indictated by the highlighted word(s) ).
Any particular word in a book can be reference by 5 parameters ...
1) "title of book"
2) number of the chapter
3) the highlighted word(s)
4) the number of the sunmarks counted. Actually they are counted backwards ... from the final "sunmark" of the "textblock". Note ... all "sunmarks" are counted, even the ones next to the top rail.
5) the number of the word. This is also counted backwards (i.e. the final word of the sentence is word "1" ... and so on)
* Occasionally very narrow blocks can not be avoided. And of course in mathematical/scientific tracts the tracts are all over the place ... interspersed with diagrams and what have you.
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..... Number symbols
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Numbers are never written out in full. As if in English you never came across the word "seven" but also came across "7". Actually in béu there are two ways to write "7" depending on what environment you find yourself..
Within a textblock they are written vertically (to fit in with everything else) and are headed up by a symbol that looks like "Z". After that the number is written using the symbol for the consonant part of the basic numbers (i.e. 1 -> 11). The symbol for h is used for inserting zeroes in the textblock form (this h symbol would never be pronounced).*. Magnitude is dependent on position.
When not in textblocks ( i.e. when on part of a page or a blackboard given over to manipulating mathematic expressions) numbers are expressed by symbols that are based on the Western Mathematical Tradition. This is called the "free form" of the number.
Below is how five numbers (given previously in NUMBERS) would appear in both forms.
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It can be seen that the free form is written horizontally while the textblock form is written vertically.
If you have a number string more than three digits long you must have at least one "magnitude" word. The magnitude words and symbols are given below.
The circle is the béu decimal point. The other marks are equivalent to the comma's that we use to divide up large numbers into blocks of three digits. However instead of only having comma's and decimal points to divide up the number, we have 7 symbols.
Actually all the magnitude numbers are also common nouns as well. These are given on the right-hand-side.
To demonstrate the use of the magnitude words I will introduce a long number. I haven't worked out how to express it in base ten, but in base twelve it is ...
1,206,8E3,051.58T,630,559,62 ... where T represents ten and E represents eleven
In béu it would be pronounced ... aja huŋgu uvaila nàin ezaitauba wúa idauja omba idaizaupa yanfa elaibau mulu idaidauka ʔiwetu elaivau dù ... notice that all the magnitude words are spoken out.
Below is how this number is written in textblock form.
Amd below is how this number is written in free form.
The 7 magnitude words extend the range of numbers expressible. Remember that béu only actually has words for 1-> 1727. But even with the help of magnitude words, the number range expressible in béu restricted.
In textblock form a number is aways finished of with one of the three symbols given below ...
These are called exactness words. They are also spoken out when reciting a number.
The "trunkated" symbol means that some digits have been lopped off, rather being rounded up or down. For example, if you expressed "pie" as 3.1415 you would use the trunkated symbol (actually 3.1416 is closer to the actual number than 3.1415).
It should be quite obvious what "exact" means. "approximate" has a rather loose meaning ... basically anything not "exact". The "trunkated" and "approximate" symbols are both usually spoken as daula, There is a more exact technical expression for trunkated (???) but you hardly ever come across it.
Below are some more symbols used in mathematics. Obviously these symbols would be used in a free form area (i.e. the free form part of a page)
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Note ... The symbol for four is not circular. It seems to "sag" ... it is bigger at the bottom than at the top ... not exactly egg-shaped either but ...
*If you had a leading zero you would use the word jù. 007 would be jù jù oica (three words). To deal with a telephone number, you would lump the numbers in threes (any leading zero or zeroes by themselves though) and outspeak the numbers. If you were left with a single digit (say 4) it would be pronounced agai. If you were to pronounce it uga, it would of course mean 004. Also you would probably add the particle dù at the end. This means "exactly" (or it can mean the speaker has finished outspeaking the number).
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... Index
- Introduction to Béu
- Béu : Chapter 1 : The Sounds
- Béu : Chapter 2 : The Noun
- Béu : Chapter 3 : The Verb
- Béu : Chapter 4 : Adjective
- Béu : Chapter 5 : Questions
- Béu : Chapter 6 : Derivations
- Béu : Chapter 7 : Way of Life 1
- Béu : Chapter 8 : Way of life 2
- Béu : Chapter 9 : Word Building
- Béu : Chapter 10 : Gerund Phrase
- Béu : Discarded Stuff
- A statistical explanation for the counter-factual/past-tense conflation in conditional sentences
