Béu : Chapter 5: Difference between revisions

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== The parish flags==
== ..... Copula's==


'''béu''' country is divided into "parishes". These are rural communities of 10,000 -> 50,000 people (urban areas have are distinct from rural areas and have a very different administrative structure).
The word copula comes from the Latin word "copulare" meaning "to tie",  so a copula is a verb that ties.
In '''béu'''(as in other languages) they differ from normal verbs in that they are quite irregular.  


The parish boundaries follow geographical features, such as streams and ridges etc. However the shape of a parish approximates to a hexagon. In fact in a total featureless landscape it would be a hexagon.
Also in '''béu''' a copula clause '''taiviza''' requires a specific word order and the '''s''' (the ergative case) is never suffixed to any noun, as normally happens when a verb is associated with two nouns.


The rim banners
=== ... '''sàu'''===


-------------------------
'''sàu''' is the '''béu''' main copula and is the copula of state. It is the equivalent of "to be" in English, which has such forms as "be", "is", "was", "were" and "are".


Each parish has 6 banner-rows along its boundaries. A banner-row consists of 17 banners about 10 m apart. Each banner is made from a pole about the girth of an adults arm or leg. Each pole is about 7.5 m high and the top 5 m of the pole has an orange banner. The cloth of the banner is about 1/3 m wide. When about half the original cloth has been weathered away the cloth should be replaced, best to do an entire banner-row at on time. These banner-rows are normally placed in prominent positions. They can be anywhere along a boundary, but it isn't considered good to have the gap too small or too big between any neighbouring banner-rows.
The table below echoes the second table given in "The R-form of the verb"


In sparsely populated areas you get what is called a super-parish. They are around 10 times the size of a normal parish (but their population falls within the 10,000 -> 50,000 limit). These super-parishes have 2 barrier-rows per side(that is 12 in total), and each banner-row has 19 banners. All these banner dimensions are about 15% to 20% bigger than normal.
In three rows (the second and the two at the end) the copula includes the cenʔo. In the table the '''a''' of the first person singular is given. In rows 1 and 3 the copula does not include the cenʔo (so obviously when these form are used the subject must be expressed as an indepedant word)


The outer banners
The items below the solid line are the negatives of the items above. An orange background indicates the timeless tense. You can see I have two entries enclosed by brackets. That is because to give a  present tense copula or a negative present copula you would express it periphrastically ... you would use '''rà''' or '''ká'''  followed by the '''béu''' equivalent of "now" or "at the moment".


--------------------------


About 2/3 of the way out from the parish centre there are what are called the spoke banners arranged in banner-rows. There are 4 of these banner-rows and each has 11 banners. Again these are in prominent positions and/or well visible from roads. Again they should be quite spread out from each other.
[[Image:TW_118.png]]


Each of there banner-rows, instead of delineating the parish boundary, point towards the administrative centre of the parish, the '''toilido'''.


(For a super-parish there are 8 banner-rows with 13 banners each)


The inner banners
Actually '''rà''' is usually dropped completely.


------------------------
It is mostly used for emphasis; like when you are refuting a claim


About 1/3 of the way out from the parish centre there are what are called the spoke banners arranged in banner-rows. There are 3 of these banner-rows and each has 5 banners. Below is what a banner looks like.
Person A) ...  '''gí ká moltai''' = You aren't a doctor


[[Image:TW_135small.png]]
Person b) ...  '''pá rà moltai''' = I am a doctor


Again each of these banner-rows is pointing to the '''toilido'''.
Another situation where '''''' tends to be used is when either the subject or the copula complement are longish trains of words.  For example ...


(For a super-parish there are 5 banner-rows with 7 banners each)
'''solboi alkyo ʔá dori rà sawoi''' = Those alcoholic drinks that she made are delicious.


== The Way ==
The evidentials are appended to the copula as they would be to a normal verb.


"béu" specifies certain "best practices" for many many aspects of life. These "best practices" encompass many varied aspects of life.  
=== ... '''láu'''===


For example the manner in which the 5 yearly festivals should be celebrated, what screw shapes and sizes should be used, how a man should treat his wife and a woman her husband, the periods of fasting and dietary restrictions that each individual should undertake.
'''láu''' is the '''béu''' is the copula of change of state. It is the equivalent of "become" in English.


These are just some examples of these "best practices". Actually each of these "best practices" are given a level of importance. There are 3 of these levels ... "recommended", "highly recommended" and "an absolute must".
Again the table below echoes the table given in "The R-form of the verb"


These "best practices" are set out in various books. Theses books are held to be "canonical" or holy. However these writings are not set in stone, and there are mechanisms where by these books are updated and also new books can be added to the "special books".
In four rows (the second, third and the two at the end) the copula includes the cenʔo. In the table the '''a''' of the first person singular is given. In the first row the copula does not include the cenʔo (so obviously when this form are used the subject must be expressed as an indepedant word)


Some people consider these "special books" to constitute a religion that has no god. However other people follow these "best practices" as just "cool things to do" and fit them in to their lives under another over-reaching belief system, such as Christianity or Islam (in much the same way that the early Buddhist adherent were free either to forget the old hindu gods or to continue to venerate them).
The items below the solid line are the negatives of the items above. An orange background indicates the timeless tense. You can see I have two entries enclosed by brackets. That is because to give a  present tense copula or a negative present copula you would express it periphrastically ... you would use '''rà''' or '''ká'''  followed by the '''béu''' equivalent of "now" or "at the moment".


At the centre of this body of work defining the  "best practices" there are 3 important concepts.


1) '''angwa''' The closest translation is "harmony"
[[Image:TW_119.png]]


When used in relation to motion it can be translated as "grace"
When used in relation to design it can be translated as "elegance"
When used in relation to text it can be translated as "poetry"


The adjective corresponding to '''angwa''' is '''angwai'''


'''angwa''' is considered getting the right balance between "order" and "chaos"
As you can see this copula is more regular than the main copula.


2) '''honda'''  This can be translated as "order"
The evidentials are appended to the copula as they would be to a normal verb.


3)  '''aska''' This can be translated as "chaos"
'''láu hauʔe''' = to become beautiful OR to become a beautiful woman


I suppose  the above 2 concepts can be considered the Yin and Yang of "béu"
=== ... The copula of existence ===


However the secondary concepts that are associated with Yin and Yang, for the most part, do not fit into the '''honda'''/'''aska''' dichotomy.
Some languages have a verb to indicate that something exists. '''twái'''


Just for ease of reference I have listed the secondary concept associated with Yin and Yang below.
This usually introduces a new protagonist in a narrative. The new protagonist is by definition, indefinite. For example ...


'''twor glá gáu ʔaiho''' = There was an old and ugly woman


{| border=1
Often it is used with a phrase of location.
  |align=center| YIN
  |align=center| YANG
  |-
  |align=center| femininity
  |align=center| masculinity
  |-
  |align=center| soft
  |align=center| hard
  |-
  |align=center| yielding
  |align=center| solid
  |-
  |align=center| passive
  |align=center| aggressive or active
  |-
  |align=center| fast
  |align=center| slow
  |-
  |align=center| the moon
  |align=center| the sun
  |-
  |align=center| black
  |align=center| white
  |-
  |align=center| cold
  |align=center| hot
  |-
  |align=center| wet
  |align=center| dry
  |-
  |align=center| water
  |align=center| fire
  |-
  |align=center| nighttime
  |align=center| daytime
  |-
  |align=center| the earth
  |align=center| the sky
  |-
  |align=center| diffuse
  |align=center| focused
  |}


'''nambopi twuru aiba glabua''' = There will be three people in the house  .... 3 people are in the house ???


However "order" and "chaos" are associated with other concepts. They have each 2 "under-concepts" ...
There is no word that corresponds to "have". The usual way to say "I have a coat" ...


'''honda''' is associated with the colour "sky blue" '''suna''' and "tranquility"
'''pán twor kaunu''' = "at me exists a coat"


'''aska''' is associated with the colour "orange" '''nela''' and "activity"
------------------


And each under-concept is associated with one under-under-concept
olwa = to exist


And the under.concepts, have in turn, underconcepts of their own ...
elya = to not exist


sky blue => the sky
??????????????????


orange => the sun
'''há''' = place


tranquility => dead
'''dí''' = this


activity => alive
'''dè''' = that


As well as no associations (for the most part) with the concepts linked to Yin and Yang ... also there is strictly no association with
While you sometimes come across the '''há dí''' the word '''hái''' is the usual way to express "here".


good/bad, truth/falsehood, right/wrong, north/south, beauty/uglyness, positive/negative, right/left ... etc etc etc
In a similar manner you sometimes come across the '''há dè''' the word '''ade'''<sup>*</sup> is the usual way to express "there".


=== Minor points pertaining to '''honda''' and '''aska''' ===
<sup>*</sup>This word is an exception to the rule that inside a word and between vowels, '''d''' can be either pronounced as "d" or "ð". In '''ade''' the '''d''' is always pronounced "ð".
The "béu.symbol" is a orange disk with a sky blue background
(the "béu.symbol" has both a simple and a complex representation)


This imagery continues into the way that machines are marked ...
There is a house = A house exists = '''ade (rà) nambo'''


To show that a machine is working, an orange disc is illuminated
This is patterned on the more general locative construction.
To show that a machine is switched off, a sky blue square is illuminated


The button to switch a machine on, is an orange disk with a black ring on it
In the apple tree is a beehive ????
The button to switch a machine off, is a sky blue square with a black ring on it


( Of course the functions of indication and switching are often combined in one button )
--------------------


For rocker switches ( such as light swithes ) the top part is square and you push this
'''ade pona paye''' = "I feel cold" ... maybe against expectations ... no reason to think that other people would be cold.
to switch off ... the bottom part is semicircular and you push this to switch on


By the way "red" is associated with danger and "green" is associated with safety
'''ʃi pona''' = "It is cold" ... everybody should feel cold
So for example traffic lights are exactly the same ( including the orange in the middle )


By the way there are no other associations with colour ... you do not talk about a blackheart
..
or a yellow streak etc etc ... kids are not split up according to pink or blue clothes, etc etc


== The cremation oval==
== ..... The '''gomiaza'''==


Actually called "sky gate/door" in '''béu'''.
'''gomiaza''' could be translated as "infinitive phrase"


Below is shown a typical cremation oval. Typically they are placed in a wilderness area, maybe near the parish boundary. The platform is about 1.5 m high with steps all around. It has the shape of an oval, usually with the two sharp curves cut off. In the two foci we have two objects.  
'''gomia''' have some similarities to nouns. However they differ in that they never take plurals, are never "possessed" and although they take 8 of the 12 '''pilana''', some of the rolls that these '''pilana''' play differ quite a bit from the rolls they play with nouns.  


On the east side we have the '''kilo'''. It is a structure about 1.7 m high (standing on a plinth about .2 m high), which is in the shape of the Gherkin in London. Metal bands can be seen on its surface. Multifaceted with each facet made of a pink glass. It has a silver ball on top, about 15 inch in diameter.
Also when a '''pilana''' is joined to a '''gomia''', if it ends in a diphthong, then the final vowel is dropped. For example ...


On the west side we have the '''ulgu'''. It is a structure about 1.7 m high (standing on a plinth about .2 m high), which is in the opposite shape from the Gherkin in London. Metal bands can be seen on its surface. Multifaceted with each facet made of a purple/mauve glass. It has a golden ball on top, about 15 inch in diameter (its top side is jet black).
'''kludau''' = to write


'''kludala''' = writing (adjective)


[[Image:TW_132.png]]
Note ... the final vowel is not dropped when the '''gomia''' is a monosyllable.


REDO ALL THE STUFF BELOW ... also tie in the participle phrase (equivalent to Dixon's complement clause)


Six poles (called '''jomo''') can be seen on the oval. These must be changed to suit every cremation. After a cremation they are left as they are, until the next cremation.
Near the start of this chapter we saw how '''béu''' builds up a NP (noun phrase). Now '''gomia''' is a noun so '''gomia''' can be the head of the structure given above.  
I have named them NM (north middle), NW (north west), SW (south west), SM (south middle), SE (south east) and NE (north east).


These '''jomo''' can have 1 of 4 types of head (shown below). From L => R, I have named these the empty head, single head, double head and multiple head.  
If a '''gomia''' is put in the structure above then the word put in the "genitive"<sup>*</sup> slot corresponds to the O argument if the action was described using an active verb.


A '''jomo''' is about 5 m high. The second and third tops are about 1.3 m high. The diameter of the 4th top is  2.1 m although on occasions this must be increased.
It must be restated that ONLY the O argument can go in the "genitive" slot. English is quite permissive when it comes to sticking on arguments to verbal nouns. Witness ...


The '''jomo''' are made of varnished wood and are square in cross-section, 25 cm at the bottom, narrowing to 21 cm at the top. The 2 middle tops (see below) can be constructed from anything. However they should look solid and all faces should glow in the dark (not necessarily at the edges). The single and double heads gradually tapper to a point.  They are square in cross-section, all the way to the point.
1) Attila's destruction of Rome


Basically the choice of head reflects the descendants that the deceased left behind. If the deceased had no living descendants at the time of death, then all the '''jomo''' have empty heads. This is a greyish/white sphere.
2) Rome's destruction (by Attila)


In '''béu''' if the A argument is to be represented in the '''gomia''' NP, it is introduced by the instrumental.


[[Image:TW_133.png]]
In actual fact '''gomia''' NPs can be quite long with all sorts of place, time and manner arguments tagged on to the end.


----------
However there is a second way to build up a '''gomia''' NP. This type of NP has "A '''gomia''' O "other peripheral arguments". For example ????
There can be no mixing of these 2 types of '''gomia''' NP.
<sup>*</sup>And when it comes to word building. The O argument can be subsumed into the verb. .... hunting of ducks => duckhunting
And possibly as a back formation from the above, "duck-hunt" can be used as an active verb.
== ..... To the "n"th degree ==
=== Nouns===
The following 2 word are "specifiers" and come before a noun. The noun is always in the singular. The noun can be a countable or a non-countable noun.
'''alu báu''' = many men
'''ali báu''' = a few men
'''alu moze''' = a lot of water
'''ali moze''' = a little water
As compared to some idea that is in the background as to what a typical amount of "men" would be.
'''alua báu''' = more men
'''alia báu''' = less men
As compared to some recently mentioned amount of "men". 
'''aluas báu''' = the most men
'''alias báu''' = the least men
=== Adjectives===
'''gèu lùn''' = very green
'''gèu lín''' = a little green
'''gèu lùa''' = more green
'''gèu lía''' = less green
'''gèu lùas''' = most green
'''gèu lías''' = least green


If the deceased has living descendants then the NM '''jomo''' will have a single head. This head represents the oldest child (legally recognised child). If the first born was male, this head will be orientated out of the oval, if female into the oval.
=== Verbs===


The second oldest child is also represented by a single head. If this child was male, the next empty '''jomo''' in a clockwise direction from the NM one receives a single head. If this child was female, the next empty '''jomo''' in a anti-clockwise direction thom the NM one receives a single head.
'''solbe lùn''' = to drink a lot


And so you do with the third, fourth, fifth and sixth child . If there are only six children, then yellow bunting is drapped from the "elbow" of the head representing the six child. If this child was female, yellow bunting is drapped from the "elbow" of the head, if this child was male blue bunting is draped.
'''solbe lín''' = to drink a little


If there were seven children, then the last head placed should be a double head. Yellow or blue bunting being drapped from the "elbows" depending upon the sex of the last two children born.
'''solbe lùa''' = to drink more


If there were eight or more children born to the deceased, then the last head placed should be a multiple head. Yellow or blue bunting being drapped equip-distantly around the rim of the head to represent the sex of these children. In exceptional circumstances (when many, many children produced), the diameter of the multiple head has to be enlarged.
'''solbe lía''' = to drink less


If any of these children have predeceased the deceased, then red bunting is draped from the "elbow" of the head representing them (if the elbow already has another colour of bunting, then the red bunting is intermixed with the yellow or blue bunting).
'''solbe lùas''' = to drink most


So now we have sorted out what heads we want and we have given the NM '''jomo''' head an orientation.
'''solbe lías''' = to drink least


Now we give the other single heads an orientation (the double head is always orientated, so that you can see it best from where the deceased's head is). The multiple head has no orientation : it can spin.
=== Adverbs===


The orientation of the other single heads depend upon the difference between the birthday of the first child and the child represented by that '''jomo'''. Here are two example to explain the system ...
'''gadewe lùn''' = very slowly


1) The second oldest child is male. His birthday is exactly 4 months after the first born's. His head will be orientated 150 degrees anti-clockwise with respect to the first born's.
'''gadewe lùa''' = more slowly


2) The tird oldest child is female. Her birthday is exactly 1 month after the first born's. Her head will be orientated 30 degrees clockwise with respect to the first born's. Note  that male is anti-clockwise and female is clockwise.
'''gadewe lùas''' = the most slowly


== ..... The verb complex or verb phrase ==


[[Image:TW_134.png]]
Also often called the predicate. Called the '''jaudauza''' in '''béu'''


The predicate is made up of ...


Now we come to the tilting of the '''jomo'''. All '''jomo''' with a single head are tilted. The maximum tilt (that is the maximum deviation from the vertical is 30 degrees.
1) one of two particles that show likelihood which are optional.


To work out the tilt for every '''jomo''' we first must work out the "Index" for the deceased. The index is some amount between 0 and 1. The index is got from the graph above. The horizontal axis is age and the high of the plotted line at the age in which the deceased died, determines his index.
In the béu linguistic tradition they are called '''mazebai'''. The '''mazebai''' are a subgroup of '''feŋgi''' (the particles)


The plotted line is can be plotted (by using a certain formula) when A, B, C and D are known. A is a constant (minus 9 months). B and C and D can be determined from the last 12 years of parish records. (By the way there are two graphs, one for each sex. And A and B and C are sex dependant.
2) one of five particles that show modality. These are also optional.


Assuming the deceased is a male ...
In the béu linguistic tradition they are called '''seŋgebai'''. The '''seŋgebai''' are a subgroup of '''feŋgi''' (the particles)


B = the average age over the past 12 years in which the boys(young men) "mastered the laws".
3) a '''gomua''' (a full verb)


C = the average age over the past 12 years in which the males married plus 18 years.
=== ... '''mazebai''' ===


D = the average age of death for males over the past 12 years. No deaths that occur before "C", contribute to this average.
These appear first in the predicate.


If the deceased is female, we determine our graph using the same formula, but now we have ...
These particles show the probability of the verb occurring.


B = the average age over the past 12 years in which the girls(young women) "mastered the laws".
1) '''màs solbori''' = maybe he drank


C = the average age over the past 12 years in which the females married plus 30 years.
2) '''lói solbori''' = probably he drank


D = the average age of death for females over the past 12 years. No deaths that occur before "C", contribute to this average.
You could say that the first one indicates about 50% certainty while the second indicates around 90 % certainty


OK so now we have worked out the index for the deceased. Now each post with a single head is assigned a random number between 0 and 1.
=== ... '''seŋgebai''' ===


The tilt of a post = Index x Random number x 30 degrees.
These appear next in the predicate.


So this tilt is applied to the relevant post. The tilt follows the orientation of the head.
These particles correspond to what is called the "modal" words in English. The five '''seŋgeba''' are ...


As can be imagined, every cremation involves a bit of work to have all the '''jomo''' at the correct orientation and tilt.
1) '''''' which codes for strong obligation or duty. It is equivalent to "should" in English. In English certain instances of the word "must" also carries this meaning.


-------------
2) '''seŋga'''  which codes for weak obligation. It is equivalent to "ought to" in English. (Note ... in certain dialects of English "ought to" is dying out, and "should" is coding weak obligation also)


The followers of the '''béu'''-way believe that it is their duty to the ones they interact with, to assure that these "around-ones" are free from pain, free from want, and free from a spoilt/marrd heart. When one is asleep you are free from these things. Also in death ... hence '''béu'''-way followers do not believe that it should be a time of grief when somebody close to you dies.
3) '''alfa''' which codes for ability. It is equivalent to "can" in English. As in English it means that subject has the strength or the skill to perform the action. Also as in English it codes for possibilities/situations which are not dependent on the subject. For example ... '''udua alfa solbur''' => "the camels can drink" in the context of "the caravan finally reached Farafra Oasis"


== The sky garden==
4) '''hempi''' which codes for permission. It is equivalent to "may" or "to be allowed to" in English. (Note ... in certain dialects of English "may" is dying out, and "can" is coding for permission also)


After the body has been cremated, the ashes are put in a box and interred in the "sky garden". The sky garden takes the form of many wide "walkways" dug in the ground. From above it looks like a maze. The "ash boxes" are interred in either side of the walkways. There are four rows of these "ash boxes" deposited in each side.
5) '''hentai''' means knowledge. It is equivalent to "know how to" in English. (Note ... in English certain instances of the word "can" also carries this meaning)


A sky garden is ideally built on a gentle slope (in the Northern hemisphere, preferably south-facing to get the sun). It can be either built up from the ground or excavated into the earth.


The walkways are arranged in a sort of maze, so as to densely cover a piece of ground.
The form that these '''seŋgeba''' and the main verb take appears strange. Where as, logically, you would expect the suffixes for person, number, tense, aspect and evidential to be attached to the '''seŋgeba''' and the main verb maybe in its infinitive form, the '''seŋgeba''' do not change their form and the suffixes appear on the main verb as normal. This is one oddity that marks the '''seŋgeba''' off as a separate word class.<sup>*</sup>


Although not absolutely necessary, most sky gardens have water running through them.
Some examples ...


Below is a cut-away of a typical walkway. The bit in the centre (called "stream-work" in '''béu''') has seats built into it. And also small flower beds. The inter-walkway walls support miniature trees or bushes. There is good drainage under the walkway. Mosses and small plants grow on the vertical surfaces. All in all, a sky garden is a very beautiful place, a place that should induce peace of mind to the people that wander its walkways or sit and ponder life.
1)


a) '''sú -er'''  => you should visit your brother


[[Image:TW_136m.png]]
b) '''sú -eri''' => you should have visited your brother


c) '''sú hamperka''' animals => you should not feed the animals


The trick in designing a sky garden is too get the minimum slope needed to make this water flow. Ideally it should flow through all the walkways (not always possible). This is why a gentle slope is the best place to locate a sky garden.
d) '''sú hamperki''' animals => you shouldn't have fed the animals


The sky gardens are well looked after. They are an ideal place to visit if you want a bit of peace and quiet.
Note these are the tenses allowed in a '''jaudauza súa'''


Over the hole in which the ash boxes are interred is placed a nice granite plaque with details of the life of the deceased. An image of the deceased at their prime is included. (With modern technology, people are now making in possible for visitors to see a multimedia presentation about the life of the deceased, this can be activated from a sensor in the plaque).
2)


== The parish hall==
a) '''seŋga humper'''  little => you ought to eat a little


Below is shown the plan of the parish hall. This is the administrative centre of the parish and the place where the banner-rows point to.
b) '''seŋga humperi''' little => you ought to have eaten a little


The red shape at the top of the plan is the water-fountain. It must have a red tiled roof. It is to provide clean drinking water to passers by and also a sheltered place to rest. It can take a variety of forms. Some are made very fancy and have a small "hanging garden" along their centre surrounded with pools filled with beautiful fish. There must be fresh water flowing, either continuous or on demand. Also there must be seating. There is also a small banner-row of 3 banners ... in line with the "water-hut" and on the side away from the '''toilido'''.
c) '''seŋga solberka''' brandy => you ought to not drink brandy


There is often a tree lined avenue leading up to the front entrance of the '''toilido'''. In hot countries the trees are usually some sort of shade tree. In colder countries, trees with a well defined, uniform shape are favoured ... poplars ?? The two rows of trees diverge from each other as the road passes the row of three banners. They open up to encompass the "poster-huts" but don't extend beyond them.
d) '''seŋga solberki''' brandy => you ought to have not drunk that brandy


The word '''toilido''' literally means "building of the books". It actually only refers to the hexagonal building (not the centre tower). The whole complex is actually called "centre station".
Note these are the tenses allowed in a '''jaudauza seŋgua'''


Usually 2 or 3 other types of tree are planted around the "centre station" (maybe 5 or 6 trees in all). This makes every '''toilido''' unique.
3)


The whole complex provides the following services ...
a) '''fuà -or''' => he can swim across the river


1) A clocktower
b) '''fuà-ori''' => he could swim across the river


2) Public toilets
c) '''fuà solborka''' => he can stop drinking


3) A post office
d) '''fuà solborki''' => he could stop drinking


4) A library
Note these are the tenses allowed in a '''jaudauza fùa'''


5) Archives for public records
4)


6) A place for the parish council to meet
a) '''hempi bor festa''' => "she may go to the party" or "she can go to the party" or "she is allowed to go to the party"


7) Offices for the parish council members
b) '''hempi bori festa''' => she was allowed to go to the party


c) '''hempi borka''' school => he is allowed to stop attending school


[[Image:TW_130.png]]
d) '''hempi bori''' school => he was allowed to stop attending school


Note these are the tenses allowed in a '''jaudauza hempua'''


The black part of the '''toilido''' is the main entrance.
5)


You will notice to "huts" with half their roof red and half black. These are the "poster huts". These are sheltered billboards for posting important information. The red side is for official notices (that is for what the parish officers or the central government think should be posted). On the black side the general public can post whatever it wants. New notices are posted on the small "poster hut". After 9 days they are transferred to the larger "poster huts". In '''béu''' the adjective "red" can be used to refer to something pertaining to the government, and the adjective "black" to refer to something non-government.
a) '''hentai bamor''' car => "she can drive a car" or "she knows how to drive a car"


The orange part of the '''toilido''' is a stage, or actually the roof over the stage. And the area in front of this stage is a fairly large green where people gather to see the various shows that are put on. There are various conserts put on by the parish members at regular times every year. Also occasionally you get wondering groups of "players" who put on a show.
b) '''hentai bamori''' car => she knew how to drive a car


c) '''hentai boikorka''' car => He has the ability not to crash the car


[[Image:TW_131.png]]
d) '''hentai boikorki''' car => He had the ability not to crash the car


Note these are the tenses allowed in a '''jaudauza hentua'''


Above is how the '''toilido''' looks from street level (the "hut" to the left is the "water hut").  
<sup>*</sup>Two other oddities also marks off the '''seŋgeba''' as a separate word class. These are ...


The entrance has about 1.3 m of steps to climb. There are three arches at every entrance. The central one being slightly higher than the other two.  
1) When you want to question a '''jaudauza''' containing a '''seŋgeba''' you change the position of the main verb and the '''seŋgeba'''. For example ...


(I have probably drawn the building too high in the street level view). Usually tall stain glass windows on 4 sides of the '''toilido'''. There is always at least 2 storeys within the main part of the building, sometimes more. Also usually there is a separate storey in the roof (the triangular shapes seen on the plan view, are actually windows in the roof to provide light to this storey. These windows look onto the central courtyard.)
''' bor hempi festa''' => "may she go to the party" ... shades of English here.


The centre of the hexagon has a pleasing garden. In the very centre is the base of the "clock tower".
2) All 5 '''seŋgeba''' can be negativized by deleting the final vowel and adding '''aiya'''. For example ...


The 2 kidney shaped building are public toilets. The one on the right for the use of men, the one on the left for the use of women.
'''faiya -or''' ??? => he can't swim across the river


Tables and chair for setting out for the various concerts are also kept in these buildings. These toilets are kept meticulously clean. In fact every parishioner must do a certain amount of duty at the toilets every year ... keeping them clean. No fit adult is exempt from this duty.


There is a single banner just outside each of these buildings ... on the opposite side from the stage.


----------
Note ... sometimes the negative marker on the '''seŋgeba''' can occur along with the normal negative marker on the main verb to give an emphatic positive. Sometimes it produces a quirky effect. For example ...
 
'''jenes faiya humpor cokolate''' => Jane can't eat chocolates (Jane lacks the ability to eat chocolates) ... for example she is a diabetic and can not eat anything sweet.
 
'''jenes fa humporka cokolate''' => Jane can '''not''' eat chocolates (Jane have the ability not to eat chocolates)... meaning she has the willpower to resist them.
 
'''jenes faiya humporka cokolate''' => Jane can not not eat chocolates (Jane lacks the ability, not to eat chocolates) ... meaning she can't resist them.
 
 
 
There are 5 nouns that correspond to the 5 '''seŋgeba'''
 
'''anzu''' = duty
 
'''seŋgo''' = obligation
 
'''alfa''' = ability
 
'''hempo''' = permission or leave
 
'''hento''' = knowledge
 
---------------------
Note on English usuage (in fact all the Germanic languages) ... the way English handles negating modal words is a confusing. Consider "She can not talk". Since the modal is negated by putting "not" after it and the main verb is negated by putting "not" in front of it, this could either mean ...
 
a) She doesn't have the ability to talk
 
or
 
b) She has the ability to not talk


There are similar roof-colouring rules for other government buildings. Namely the schools have are  gray-roofed and the hospitals are dark blue-roofed.
Note only when the meaning is a) can the proposition be contracted to "she can't talk". In fact, when the meaning is b), usually extra emphasis would be put on the "not". a) is the usual interpretation of "She can not talk" and if you wanted to express b) you would rephrase it to "She can keep silent". This rephrasing is quite often necessary in English when you have a modal and a negative main verb to express.


----------
=== ... '''wepua''' ===


Just as every child (person that has not yet mastered the laws) has his "enjoyment day" (i.e. his birthday) so every parish has its enjoyment day. Every parish has a different enjoyment day and people frequently visit neighbouring parishes to experience the neighbouring parishes enjoyment day. In the enjoyment day there is a parade and people from different organisations and neighbourhood enter "troops" into this parade. Everybody in a troop is flamboyantly and colourfully dressed. Also the pull bizarrely decorated wagons. Usually each troop picks a different theme every year so the dresses and the moves they perform reflect this theme. A prize is usually given to what is judged the best troop, but most people do not take that too seriously. They are just out to enjoy themselves.
We have already mentioned the two '''mazeba''' at the beginning of this section.


At night there is tasty and abundant food available from tents that have been put up on the village green. The food is provided free of charge by the parish.
Actually there is another particle that occurs in the same slot as the '''mazeba''' and it also codes for likelihood. This is '''wepua''' and it constitutes a subgroup of '''feŋgi''' (the particles) all by itself.


== The town clock ==
1) '''más solbori''' = maybe he drank


Every town has a clocktower and the clocktower has 4 faces, which are aligned with the cardinal directions. The street pattern is also so aligned : that is the four biggest streets radiate out from the clock in the cardinal directions.
2) '''lói solbori''' = probably he drank


Each face displaying a clock similar to the one below.
3) '''wepua solbori''' = he must have drank


[[Image:TW_93.png]]
You could say that while the first one indicates about 50% certainty while the second indicates around 90 % certainty, the third shows 100% certainty.


The above figure shows the time at exactly 6 in the morning. You notice that the main (hour hand) hand is pointing to the right : it starts from the horizontal. This hand sweeps out one revolution in 24 hours and it moves anti-clockwise
3) Indicates that some "evidence" or "background information" exists to allow the speaker to assert what he is saying. It also carries the meaning "there is no other conclusion given the evidence".This obviously has some functional similarities to the '''-s''' evidential. However the '''-s''' evidential carries less than 100 % certainty ...


Notice that secondary (minute hand) starts from the vertical and sweeps out a revolution in 2 of our hours. It moves clockwise. And actually when it passes the main hand, there is a clever mechanism to stop it being hidden. It stops 3.75 minutes at one side of the main hand, and then moves directly (2 steps) to the other side of the main hand and stops there for 3.75 minutes. After that it does a step and waits 2.5 minutes, etc. etc. ... until it encounters the main hand again.
'''solboris''' = I guess/suppose he drunk


The red and the black arms do not move continuously but move in steps. The primary arm moves 3.75 degrees every 15 minutes, and the secondary arm moves 7.5 degrees every 2.5 minutes.
'''wepua''' never appears in front of the first two '''seŋgebai'''. This is the difference between '''wepua''' and the '''mazebai'''.


The clocktower is surmounted by a green conic roof (actually not really conic ... the roof slope decreases as you get nearer the bottom). Lighting from under the roof could be provided for each face. Either that or the faces could be illuminated from within at night. The faces are not exactly vertical but the top slightly overhangs the bottom.
The word '''wepua''' is derived from '''pè''' meaning "to need". '''pòi''' means necessities.'''wepua''' can be thought of as meaning something like "being necessary" or "of necessity".


There is never any numbering on the face.
=== .... -fa, and -inda  ===


The clock also emits sounds. Every 2 of our hours the clock makes a deep "boing" which reverberates for some time. Also from 6 in the morning to 6 at night, the clock emits a "boing" every 30 of our minutes. The first "boing" has no accompaniment. However the second "boing" is followed (well actually when the "boing" is only .67 % dissipated) by a "sharper" sound that dies down a lot quicker : "teen". The third "boing" has 2 "teen"s 0.72 seconds apart. The fourth has 3 "teen"s. The fifth one is back to the single "boing" and so it continues thru the day.
These all form adjectives. The first might have some connection with a '''seŋgeba'''.


The secondary hand and the 36 diamonds should be ...  
i.e. '''solbe''' = to drink


East face => white or even better, silver
'''moze''' = water


North face => light blue
'''moze solbefa''' = drinkable water


West face => green
Maybe related to '''fua''' "can".


South face => dark blue
'''moze solbinda''' = water worth drinking


(The drawing is a bit out in this respect).
There is also another suffix, but this one can be said to be unrelated to "like" '''kinda'''


==The time of day==
Maybe related to '''kinda''' "to like".


'''dé''' = day
== .... Case frames==


The '''béu''' day begins at sunrise. 6 o'clock in the morning is called '''cuaju'''
I was originally going to give the word '''klói''' "to see"  the following case frames {k, ∅} {s, ∅}  {∅}


The time of day is counted from '''cuaju'''. 24 hours is considered one unit. 8 o'clock in the morning would be called '''ajai''' (normally just called '''ajai''', but '''cúa ajai''' or '''ajai yanfa''' might also be heard sometimes).
In the first the A argument would be marked by the non-canonical -'''k''' affix and would mean "see"


In the second the A argument would be marked by the canonical -'''s''' affix and would mean "look at" or "observe".


{| border=1
In the third, it would mean "be visible"
  |align=center| 6 o'clock in the morning
  |align=center| '''cuaju'''
  |-
  |align=center| 8 o'clock in the morning
  |align=center| '''ajai'''
  |-
  |align=center| 10 o'clock in the morning
  |align=center| '''ufai'''
  |-
  |align=center| midday
  |align=center|  '''ibai'''
  |-
  |align=center| 2 o'clock in the afternoon
  |align=center| '''agai'''
  |-
  |align=center| 4 o'clock in the afternoon
  |align=center| '''idai'''
  |-
  |align=center| 6 o'clock in the evening
  |align=center|  '''ulai'''
  |-
  |align=center| 8 o'clock in the evening
  |align=center| '''icai''' 
  |-
  |align=center| 10 o'clock at night
  |align=center| '''ezai'''
  |-
  |align=center| midnight
  |align=center|  '''okai'''
  |-
  |align=center| 2 o'clock in the morning
  |align=center| '''apai'''
  |-
  |align=center| 4 o'clock in the morning
  |align=center| '''atai'''
|}


Just for example, let us now consider the time between 4 and 6 in the afternoon.
However we would have ...


16:00 would be '''idai''' : 16:10 would be '''idaijau''' : 16:20 would be '''idaifau''' .... all the way up to .... 17:50 which would be '''idaitau
'''pàk nambo klori''' = I saw the house


Now all these names have in common the element '''idai''', hence the period from 4 o'clock to 6 o'clock is called '''idaia''' (the plural of '''idai'''). This is exactly the same as us calling the period from 1960 -> 1969, "the sixties".
'''pás nambo klori''' = I looked at the house


The perion from 6 o'clock to 8 o'clock in the morning is called '''cuajua'''. This is a back formation. People noticed that the two hour period after the point in time '''ajai''' was called '''ajaia'''(etc. etc.) and so felt that the two hour period after the point in time '''cuaju''' should be called '''cuajua'''. By the way, all points of time between 6 a.m. and 8 a.m. MUST have an initial '''cuaju'''. For example "ten past six in the morning" would be '''cuaju ajau''', "twenty past six" would be '''cuaju afau''' and so on.
However the above 2 would be the dame if the pronoun would be dropped, so I decided against the {k, ∅} case frame and '''klói''' having the meaning "look at"


If something happened in the period from 4 o'clock to 6 o'clock, it would be said to have happened '''idaia.pi'''
Also the {∅} case frame was dropped as ...


Usually you talk about points of time rather than periods of time. If you arrange to meet somebody at 2 o'clock morning, you would meet them '''apaiʔe'''.
'''klori nambo''' could mean "the house is visible" but also "he saw the house" (I like the idea of dropping 3rd person A pronouns as well as 1st and 2 nd person A pronouns)


But we refer to periods of time occasionally. If some action continued for 20 minutes, it will have continued '''nàn ufau''', for 2 hours : '''nàn ajai''' ('''nàn''' means "a long time")
Actually is it possible to drop 3rd person A pronouns ??


In English we divide the day up into hours, minutes and seconds. In '''béu''' they only have the '''yanfa'''. The '''yanfa''' is equivalent to 5 seconds. We would translate "moment" as in "just a moment" as '''yanfa''' also.
So we are left with the case frame {s, ∅}. As with all words with the single case frame {s, ∅} it is possible to drop the either of the 2 arguments when they are known by background. If only one is given, which one it is is of course known (i.e. does it end in an '''s''' or not) ... so there should be no confusion ???


==Index==
== ..... Index==


{{Béu Index}}
{{Béu Index}}

Revision as of 00:58, 8 December 2013

..... Copula's

The word copula comes from the Latin word "copulare" meaning "to tie", so a copula is a verb that ties. In béu(as in other languages) they differ from normal verbs in that they are quite irregular.

Also in béu a copula clause taiviza requires a specific word order and the s (the ergative case) is never suffixed to any noun, as normally happens when a verb is associated with two nouns.

... sàu

sàu is the béu main copula and is the copula of state. It is the equivalent of "to be" in English, which has such forms as "be", "is", "was", "were" and "are".

The table below echoes the second table given in "The R-form of the verb"

In three rows (the second and the two at the end) the copula includes the cenʔo. In the table the a of the first person singular is given. In rows 1 and 3 the copula does not include the cenʔo (so obviously when these form are used the subject must be expressed as an indepedant word)

The items below the solid line are the negatives of the items above. An orange background indicates the timeless tense. You can see I have two entries enclosed by brackets. That is because to give a present tense copula or a negative present copula you would express it periphrastically ... you would use or followed by the béu equivalent of "now" or "at the moment".


TW 118.png


Actually is usually dropped completely.

It is mostly used for emphasis; like when you are refuting a claim

Person A) ... gí ká moltai = You aren't a doctor

Person b) ... pá rà moltai = I am a doctor

Another situation where tends to be used is when either the subject or the copula complement are longish trains of words. For example ...

solboi alkyo ʔá dori rà sawoi = Those alcoholic drinks that she made are delicious.

The evidentials are appended to the copula as they would be to a normal verb.

... láu

láu is the béu is the copula of change of state. It is the equivalent of "become" in English.

Again the table below echoes the table given in "The R-form of the verb"

In four rows (the second, third and the two at the end) the copula includes the cenʔo. In the table the a of the first person singular is given. In the first row the copula does not include the cenʔo (so obviously when this form are used the subject must be expressed as an indepedant word)

The items below the solid line are the negatives of the items above. An orange background indicates the timeless tense. You can see I have two entries enclosed by brackets. That is because to give a present tense copula or a negative present copula you would express it periphrastically ... you would use or followed by the béu equivalent of "now" or "at the moment".


TW 119.png


As you can see this copula is more regular than the main copula.

The evidentials are appended to the copula as they would be to a normal verb.

láu hauʔe = to become beautiful OR to become a beautiful woman

... The copula of existence

Some languages have a verb to indicate that something exists. twái

This usually introduces a new protagonist in a narrative. The new protagonist is by definition, indefinite. For example ...

twor glá gáu ʔaiho = There was an old and ugly woman

Often it is used with a phrase of location.

nambopi twuru aiba glabua = There will be three people in the house .... 3 people are in the house ???

There is no word that corresponds to "have". The usual way to say "I have a coat" ...

pán twor kaunu = "at me exists a coat"


olwa = to exist

elya = to not exist

??????????????????

= place

= this

= that

While you sometimes come across the há dí the word hái is the usual way to express "here".

In a similar manner you sometimes come across the há dè the word ade* is the usual way to express "there".

*This word is an exception to the rule that inside a word and between vowels, d can be either pronounced as "d" or "ð". In ade the d is always pronounced "ð".

There is a house = A house exists = ade (rà) nambo

This is patterned on the more general locative construction.

In the apple tree is a beehive ????


ade pona paye = "I feel cold" ... maybe against expectations ... no reason to think that other people would be cold.

ʃi pona = "It is cold" ... everybody should feel cold

..

..... The gomiaza

gomiaza could be translated as "infinitive phrase"

gomia have some similarities to nouns. However they differ in that they never take plurals, are never "possessed" and although they take 8 of the 12 pilana, some of the rolls that these pilana play differ quite a bit from the rolls they play with nouns.

Also when a pilana is joined to a gomia, if it ends in a diphthong, then the final vowel is dropped. For example ...

kludau = to write

kludala = writing (adjective)

Note ... the final vowel is not dropped when the gomia is a monosyllable.

REDO ALL THE STUFF BELOW ... also tie in the participle phrase (equivalent to Dixon's complement clause)

Near the start of this chapter we saw how béu builds up a NP (noun phrase). Now gomia is a noun so gomia can be the head of the structure given above.

If a gomia is put in the structure above then the word put in the "genitive"* slot corresponds to the O argument if the action was described using an active verb.

It must be restated that ONLY the O argument can go in the "genitive" slot. English is quite permissive when it comes to sticking on arguments to verbal nouns. Witness ...

1) Attila's destruction of Rome

2) Rome's destruction (by Attila)

In béu if the A argument is to be represented in the gomia NP, it is introduced by the instrumental.

In actual fact gomia NPs can be quite long with all sorts of place, time and manner arguments tagged on to the end.


However there is a second way to build up a gomia NP. This type of NP has "A gomia O "other peripheral arguments". For example ????

There can be no mixing of these 2 types of gomia NP.

*And when it comes to word building. The O argument can be subsumed into the verb. .... hunting of ducks => duckhunting

And possibly as a back formation from the above, "duck-hunt" can be used as an active verb.

..... To the "n"th degree

Nouns

The following 2 word are "specifiers" and come before a noun. The noun is always in the singular. The noun can be a countable or a non-countable noun.

alu báu = many men

ali báu = a few men

alu moze = a lot of water

ali moze = a little water

As compared to some idea that is in the background as to what a typical amount of "men" would be.

alua báu = more men

alia báu = less men

As compared to some recently mentioned amount of "men".

aluas báu = the most men

alias báu = the least men

Adjectives

gèu lùn = very green

gèu lín = a little green

gèu lùa = more green

gèu lía = less green

gèu lùas = most green

gèu lías = least green

Verbs

solbe lùn = to drink a lot

solbe lín = to drink a little

solbe lùa = to drink more

solbe lía = to drink less

solbe lùas = to drink most

solbe lías = to drink least

Adverbs

gadewe lùn = very slowly

gadewe lùa = more slowly

gadewe lùas = the most slowly

..... The verb complex or verb phrase

Also often called the predicate. Called the jaudauza in béu

The predicate is made up of ...

1) one of two particles that show likelihood which are optional.

In the béu linguistic tradition they are called mazebai. The mazebai are a subgroup of feŋgi (the particles)

2) one of five particles that show modality. These are also optional.

In the béu linguistic tradition they are called seŋgebai. The seŋgebai are a subgroup of feŋgi (the particles)

3) a gomua (a full verb)

... mazebai

These appear first in the predicate.

These particles show the probability of the verb occurring.

1) màs solbori = maybe he drank

2) lói solbori = probably he drank

You could say that the first one indicates about 50% certainty while the second indicates around 90 % certainty

... seŋgebai

These appear next in the predicate.

These particles correspond to what is called the "modal" words in English. The five seŋgeba are ...

1) which codes for strong obligation or duty. It is equivalent to "should" in English. In English certain instances of the word "must" also carries this meaning.

2) seŋga which codes for weak obligation. It is equivalent to "ought to" in English. (Note ... in certain dialects of English "ought to" is dying out, and "should" is coding weak obligation also)

3) alfa which codes for ability. It is equivalent to "can" in English. As in English it means that subject has the strength or the skill to perform the action. Also as in English it codes for possibilities/situations which are not dependent on the subject. For example ... udua alfa solbur => "the camels can drink" in the context of "the caravan finally reached Farafra Oasis"

4) hempi which codes for permission. It is equivalent to "may" or "to be allowed to" in English. (Note ... in certain dialects of English "may" is dying out, and "can" is coding for permission also)

5) hentai means knowledge. It is equivalent to "know how to" in English. (Note ... in English certain instances of the word "can" also carries this meaning)


The form that these seŋgeba and the main verb take appears strange. Where as, logically, you would expect the suffixes for person, number, tense, aspect and evidential to be attached to the seŋgeba and the main verb maybe in its infinitive form, the seŋgeba do not change their form and the suffixes appear on the main verb as normal. This is one oddity that marks the seŋgeba off as a separate word class.*

Some examples ...

1)

a) sú -er => you should visit your brother

b) sú -eri => you should have visited your brother

c) sú hamperka animals => you should not feed the animals

d) sú hamperki animals => you shouldn't have fed the animals

Note these are the tenses allowed in a jaudauza súa

2)

a) seŋga humper little => you ought to eat a little

b) seŋga humperi little => you ought to have eaten a little

c) seŋga solberka brandy => you ought to not drink brandy

d) seŋga solberki brandy => you ought to have not drunk that brandy

Note these are the tenses allowed in a jaudauza seŋgua

3)

a) fuà -or => he can swim across the river

b) fuà-ori => he could swim across the river

c) fuà solborka => he can stop drinking

d) fuà solborki => he could stop drinking

Note these are the tenses allowed in a jaudauza fùa

4)

a) hempi bor festa => "she may go to the party" or "she can go to the party" or "she is allowed to go to the party"

b) hempi bori festa => she was allowed to go to the party

c) hempi borka school => he is allowed to stop attending school

d) hempi bori school => he was allowed to stop attending school

Note these are the tenses allowed in a jaudauza hempua

5)

a) hentai bamor car => "she can drive a car" or "she knows how to drive a car"

b) hentai bamori car => she knew how to drive a car

c) hentai boikorka car => He has the ability not to crash the car

d) hentai boikorki car => He had the ability not to crash the car

Note these are the tenses allowed in a jaudauza hentua

*Two other oddities also marks off the seŋgeba as a separate word class. These are ...

1) When you want to question a jaudauza containing a seŋgeba you change the position of the main verb and the seŋgeba. For example ...

bor hempi festa => "may she go to the party" ... shades of English here.

2) All 5 seŋgeba can be negativized by deleting the final vowel and adding aiya. For example ...

faiya -or ??? => he can't swim across the river


Note ... sometimes the negative marker on the seŋgeba can occur along with the normal negative marker on the main verb to give an emphatic positive. Sometimes it produces a quirky effect. For example ...

jenes faiya humpor cokolate => Jane can't eat chocolates (Jane lacks the ability to eat chocolates) ... for example she is a diabetic and can not eat anything sweet.

jenes fa humporka cokolate => Jane can not eat chocolates (Jane have the ability not to eat chocolates)... meaning she has the willpower to resist them.

jenes faiya humporka cokolate => Jane can not not eat chocolates (Jane lacks the ability, not to eat chocolates) ... meaning she can't resist them.


There are 5 nouns that correspond to the 5 seŋgeba

anzu = duty

seŋgo = obligation

alfa = ability

hempo = permission or leave

hento = knowledge


Note on English usuage (in fact all the Germanic languages) ... the way English handles negating modal words is a confusing. Consider "She can not talk". Since the modal is negated by putting "not" after it and the main verb is negated by putting "not" in front of it, this could either mean ...

a) She doesn't have the ability to talk

or

b) She has the ability to not talk

Note only when the meaning is a) can the proposition be contracted to "she can't talk". In fact, when the meaning is b), usually extra emphasis would be put on the "not". a) is the usual interpretation of "She can not talk" and if you wanted to express b) you would rephrase it to "She can keep silent". This rephrasing is quite often necessary in English when you have a modal and a negative main verb to express.

... wepua

We have already mentioned the two mazeba at the beginning of this section.

Actually there is another particle that occurs in the same slot as the mazeba and it also codes for likelihood. This is wepua and it constitutes a subgroup of feŋgi (the particles) all by itself.

1) más solbori = maybe he drank

2) lói solbori = probably he drank

3) wepua solbori = he must have drank

You could say that while the first one indicates about 50% certainty while the second indicates around 90 % certainty, the third shows 100% certainty.

3) Indicates that some "evidence" or "background information" exists to allow the speaker to assert what he is saying. It also carries the meaning "there is no other conclusion given the evidence".This obviously has some functional similarities to the -s evidential. However the -s evidential carries less than 100 % certainty ...

solboris = I guess/suppose he drunk

wepua never appears in front of the first two seŋgebai. This is the difference between wepua and the mazebai.

The word wepua is derived from meaning "to need". pòi means necessities.wepua can be thought of as meaning something like "being necessary" or "of necessity".

.... -fa, and -inda

These all form adjectives. The first might have some connection with a seŋgeba.

i.e. solbe = to drink

moze = water

moze solbefa = drinkable water

Maybe related to fua "can".

moze solbinda = water worth drinking

There is also another suffix, but this one can be said to be unrelated to "like" kinda

Maybe related to kinda "to like".

.... Case frames

I was originally going to give the word klói "to see" the following case frames {k, ∅} {s, ∅} {∅}

In the first the A argument would be marked by the non-canonical -k affix and would mean "see"

In the second the A argument would be marked by the canonical -s affix and would mean "look at" or "observe".

In the third, it would mean "be visible"

However we would have ...

pàk nambo klori = I saw the house

pás nambo klori = I looked at the house

However the above 2 would be the dame if the pronoun would be dropped, so I decided against the {k, ∅} case frame and klói having the meaning "look at"

Also the {∅} case frame was dropped as ...

klori nambo could mean "the house is visible" but also "he saw the house" (I like the idea of dropping 3rd person A pronouns as well as 1st and 2 nd person A pronouns)

Actually is it possible to drop 3rd person A pronouns ??

So we are left with the case frame {s, ∅}. As with all words with the single case frame {s, ∅} it is possible to drop the either of the 2 arguments when they are known by background. If only one is given, which one it is is of course known (i.e. does it end in an s or not) ... so there should be no confusion ???

..... Index

  1. Introduction to Béu
  2. Béu : Chapter 1 : The Sounds
  3. Béu : Chapter 2 : The Noun
  4. Béu : Chapter 3 : The Verb
  5. Béu : Chapter 4 : Adjective
  6. Béu : Chapter 5 : Questions
  7. Béu : Chapter 6 : Derivations
  8. Béu : Chapter 7 : Way of Life 1
  9. Béu : Chapter 8 : Way of life 2
  10. Béu : Chapter 9 : Word Building
  11. Béu : Chapter 10 : Gerund Phrase
  12. Béu : Discarded Stuff
  13. A statistical explanation for the counter-factual/past-tense conflation in conditional sentences