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Zeuhl: Difference between revisions

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'''Zeuhl''' (pronounced [d͡zøːl]) is a music style invented by Christian Vander, drummer and leader of the French avant-garde rock band [[Wikipedia:Magma (band)|Magma]].  '''Zeuhl'''  means ''celestial'' in [[Kobaïan]], the constructed language created by Christian Vander, in which most of the lyrics are written.  The music is a blend of progressive rock, modern jazz, neoclassicism and other elements.  The Kobaïan language is an integral part of the music: the works of Magma tell a continuing a science fiction story of a group of people fleeing a doomed Earth to settle on the planet Kobaïa.  The music style was later adapted by other bands, mostly from France and Japan.
'''Zeuhl''' (pronounced [d͡zøːl]) is a music style invented by Christian Vander, drummer and leader of the French avant-garde rock band [[Wikipedia:Magma (band)|Magma]].  '''Zeuhl'''  means ''celestial'' in [[Kobaïan]], the constructed language created by Christian Vander, in which most of the lyrics are written.  The music is a blend of progressive rock, modern jazz, neoclassicism and other elements.  The Kobaïan language is an integral part of the music: the works of Magma tell a continuing science fiction story of a group of people fleeing a doomed Earth to settle on the planet Kobaïa.  The music style was later adapted by other bands, mostly from France and Japan.


[[Category:Conmusic]]
[[Category:Conmusic]]

Latest revision as of 12:51, 16 February 2013

Zeuhl (pronounced [d͡zøːl]) is a music style invented by Christian Vander, drummer and leader of the French avant-garde rock band Magma. Zeuhl means celestial in Kobaïan, the constructed language created by Christian Vander, in which most of the lyrics are written. The music is a blend of progressive rock, modern jazz, neoclassicism and other elements. The Kobaïan language is an integral part of the music: the works of Magma tell a continuing science fiction story of a group of people fleeing a doomed Earth to settle on the planet Kobaïa. The music style was later adapted by other bands, mostly from France and Japan.