User:Bukkia/sandboxII: Difference between revisions

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'''Transcription''':
==Special letters==
 
* '''Proto-Piti''': ʔ ŋ ɬ ṕ ḱ t́ ɳ ʂ ʈ χ ʰ æ ː
<center>'''<u>Riqin</u>'''</center>
* '''Kī́rtako''': ʔ š ñ ɣ ā́ ḗ ī́ ṓ ū́ ā̀ ḕ ī̀ ṑ ū̀ ɑ
<u>Fausto</u> <u>Ruis</u> krāb ud rā vybim fa, tȳn byl dī krābunbimmeś stā sty, tȳn tykmeś qoty rok ońo gyb fa ī tȳn tykmeś xupty rok on nat riqin maj. Tȳn bōlbāccīn xo nōbim sty. Tȳn dī byl ta drugbly ǵa ī do tȳn bā sty ȳt tȳn qem la tosnā sty kra ī do jē tȳn bā sty. Tȳn qem a nat tosnā sty kra dī mā nū trojkȳt la ē sty ȳt mā as trojkȳt la bōlbāc xo no ē sty, qem la vidmēm sty. Tȳn qem la unūmuk sty dī mā as sryńmeś la nat ē ǵa.
* '''Iðâɣ''': š ð ɣ ɸ β ç č ə à á â ǎ è é ê ě ì í î ǐ ò ó ô ǒ ù ú û ǔ
 
* '''Læntixu''': ñ ʎ θ ɸ č ž š ç æ ɛ ‘
Tȳn krābunbimmeś byltopy bim fa. Tȳn mēūxcīn xo nōbim sty, tsēd o le tȳn topiǵ sty, cin bā le ńik sryńmeś ta drugbly ǵa. Smo kahmeś no ē sty, tsēd fe le tȳn jūn i snāsy sty, qem no mēmvid sty. Tȳn kahmeś unbim fa ī tȳn xū ōw fa. Tȳn kahmeś dī ēmmor i tykmeś mar sty dī toūlmor tosnā fa. Tȳn la xup artsēd fe asas vid sty. <u>Fausto</u> sna sty, tȳn tykcin as nat vid sty ā, natjēētān le xupty rok saw ǵa.
* '''ancient Figo''': ɕ č š θ ň ə ɛ ā ē ī ō ū
 
* '''modern Figo''': š ž č ǧ ç ň ř θ ɣ ə ã ẽ ĩ õ ũ ə̃
<u>Fausto</u> xū ōw fa ī tȳn toūlmor cak fa kōm. Tȳn tykmeś ty i tyqo i xupty cascā on cak sty. Pōlcas saw ǵa ī toūlmor tȳn nafatomī rē. <u>Fausto</u> ńoqol ādef ī tȳn toūlmor hāru fa. Tȳn ēmmor jē uptsēd hāru fa ȳt do nafanūtor. Tȳn la nat qin fa. Tȳn la tȳn nat ka, tȳn wū tryk sty des. Tȳn la tȳn nafatomī sty.
* '''Biwdiw''': ʈ ʂ š ž č ç ǰ ň ʎ ɛ ā ē ī ō ū
 
* '''Gəjlnigo''': ṕ ḱ t́ b́ ǵ d́ ć ḿ ń ŕ ĺ ś ź v́ h́ č ǧ ǰ š ž ň ʎ ə ɔ
Ēńim <u>Fausto</u> ig fa ī tȳn kahmeś vybim fa, dān o le tȳn trojkȳtxep udbejwor sty. "Tyk vranvran ślekīn" tȳn mī fa "Mo le ul unūmuk fa, ul tyk byl ud wūprīc xupty rok ońo vēbim fa ā ī ul wūprīc nat riqin maj ā.
* '''Cärähə''': ṕ ḱ t́ b́ ǵ d́ ć ḿ ń ŕ ś h́ x́ ǰ ç ɟ ɕ ī ə ä ü ő ö
 
* '''Viwdiwgu''': č ǧ š ž ň ɣ ç ʝ ṡ ɛ ä ü ő ö ə ā ī ō ū
Tȳn mēūxcīn xo mēūx toemeś to nōbim. Dān o le tȳn mēūx toemeś dūbim fa, tȳn unūmuk fa, tȳn wū drug prīc par nat riqin maj. Tokīnmeś toemeś stā. Tsēd o le tȳn tokīnmeś topiǵ sty, <u>Fausto</u> <u>Ruis</u> nu unūmuk fa, wū nārmeś xupty rok ońo faē fa.
* '''Jeʂtəra''': ʔ ṕ ḱ t́ ʂ ʈ ð ɳ ə ā ē ī ō ū
 
----
''Do ā le <u>Kris</u> <u>Rowsej</u> ta lā fa.''
* '''Βaβar''': β ɸ ð ɣ ç ɟ š ž ɴ ʂ ʐ ʈ ɖ kxʼ tsʼ ʈʂʼ tɬʼ ā ī ū ə
 
----
 
* '''Memniq''': ʔ ħ ť ț ç š ž ŕ ś ć ä ö ë
'''Syllabicated transcription:'''
----
 
* '''Æbbro''': š ž ś ź æ
<center>'''<u>Ri∙qin</u>'''</center>
----
<u>Fa∙u∙sto</u> <u>Ru∙is</u> krāb ud rā vy∙bim fa, tȳn byl dī krāb∙un∙bim∙meś stā sty, tȳn tyk∙meś qo∙ty rok o∙ńo gyb fa ī tȳn tyk∙meś xup∙ty rok on nat ri∙qin maj. Tȳn bōl∙bāc∙cīn xo nō∙bim sty. Tȳn dī byl ta drug∙bly ǵa ī do tȳn bā sty ȳt tȳn qem la to∙snā sty kra ī do jē tȳn bā sty. Tȳn qem a nat to∙snā sty kra dī mā nū troj∙kȳt la ē sty ȳt mā as troj∙kȳt la bōl∙bāc xo no ē sty, qem la vid∙mēm sty. Tȳn qem la un∙ūm∙uk sty dī mā as sryń∙meś la nat ē ǵa.
* '''Pı̇ħ''': ʔ ŋ ħ ɬ ɸ ɴ ɛ ı ɔ ȧ ạ ɛ̇ ɛ̣ ė ẹ ı̇ ı̣ ɔ̇ ɔ̣ ȯ ọ u̇ ụ
 
* '''Pı̀''':  ç š č ɕ ñ <br>a ā a̱ á ā́ á̱ à ā̀ â ā̂ â̱ ǎ ā̌ ǎ̱ a̱̋ ā̏ ȁ̱ ā̃ ã̱ <br>ɑ ɑ̄ ɑ̱ ɑ́ ɑ̄́ ɑ̱́ ɑ̀ ɑ̄̀ ɑ̂ ɑ̄̂ ɑ̱̂ ɑ̌ ɑ̄̌ ɑ̱̌ ɑ̱̋ ɑ̄̏ ɑ̱̏ ɑ̄̃ ɑ̱̃ <br>æ ǣ æ̱ ǽ ǣ́ ǽ̱ æ̀ ǣ̀ æ̂ ǣ̂ æ̱̂ æ̌ ǣ̌ æ̱̌ æ̱̋ ǣ̏ æ̱̏ ǣ̃ æ̱̃<br>e ē e̱ é ḗ é̱ è ḕ ê ē̂ ê̱ ě ē̌ ě̱ e̱̋ ē̏ ȅ̱ ē̃ ẽ̱ <br>ɛ ɛ̄ ɛ̱ ɛ́ ɛ̄́ ɛ̱́ ɛ̀ ɛ̄̀ ɛ̂ ɛ̄̂ ɛ̌ ɛ̱̂ ɛ̄̌ ɛ̱̌ ɛ̱̋ ɛ̄̏ ɛ̱̏ ɛ̄̃ ɛ̱̃ <br>ə ə̄ ə̱ ə́ ə̄́ ə̱́ ə̀ ə̄̀ ə̂ ə̄̂ ə̱̂ ə̌ ə̄̌ ə̱̌ ə̱̋ ə̄̏ ə̱̏ ə̄̃ ə̱̃ <br>ı ı̄ ı̱ ı́ ı̄́ ı̱́ ı̀ ı̄̀ ı̂ ı̄̂ ı̱̂ ı̌ ı̄̌ ı̱̌ ı̱̋ ı̄̏ ı̱̏ ı̄̃ ı̱̃ <br>ɪ ɪ̄ ɪ̱ ɪ́ ɪ̄́ ɪ̱́ ɪ̀ ɪ̄̀ ɪ̂ ɪ̄̂ ɪ̱̂ ɪ̌ ɪ̄̌ ɪ̱̌ ɪ̱̋ ɪ̄̏ ɪ̱̏ ɪ̄̃ ɪ̱̃ <br>o ō o̱ ó ó̱ ò ṑ ṓ ő̱ ō̏ ȍ̱ ô ō̂ ô̱ ǒ ō̌ ǒ̱ ō̃ õ̱ <br>ɔ ɔ̄ ɔ̱ ɔ́ ɔ̄́ ɔ̱́ ɔ̀ ɔ̄̀ ɔ̂ ɔ̄̂ ɔ̱̂ ɔ̌ ɔ̄̌ ɔ̱̌ ɔ̱̋ ɔ̄̏ ɔ̱̏ ɔ̄̃ ɔ̱̃ <br>ø ø̄ ø̱ ǿ ø̄́ ǿ̱ ø̀ ø̄̀ ø̂ ø̄̂ ø̱̂ ø̌ ø̄̌ ø̱̌ ø̱̋ ø̄̏ ø̱̏ ø̄̃ ø̱̃ <br>u ū u̱ ú ū́ ú̱ ù ū̀ û ū̂ û̱ ǔ ū̌ ǔ̱ ű̱ ū̏ ȕ̱ ū̃ ũ̱ <br>ʊ ʊ̄ ʊ̱ ʊ́ ʊ̄́ ʊ̱́ ʊ̀ ʊ̄̀ ʊ̂ ʊ̄̂ ʊ̱̂ ʊ̌ ʊ̄̌ ʊ̱̌ ʊ̱̋ ʊ̄̏ ʊ̱̏ ʊ̄̃ ʊ̱̃
Tȳn krāb∙un∙bim∙meś byl∙to∙py bim fa. Tȳn mē∙ūx∙cīn xo nō∙bim sty, tsēd o le tȳn to∙piǵ sty, cin bā le ńik sryń∙meś ta drug∙bly ǵa. Smo kah∙meś no ē sty, tsēd fe le tȳn jūn i snā∙sy sty, qem no mēm∙vid sty. Tȳn kah∙meś un∙bim fa ī tȳn xū ōw fa. Tȳn kah∙meś dī ēm∙mor i tyk∙meś mar sty dī to∙ūl∙mor to∙snā fa. Tȳn la xup ar∙tsēd fe as∙as vid sty. <u>Fa∙u∙sto</u> sna sty, tȳn tyk∙cin as nat vid sty ā, nat∙jē∙ē∙tān le xup∙ty rok saw ǵa.
* '''Bīṙ''': b́ ǵ d́ ć ḿ ń ŕ ś ź h́ v́ ć ʎ ṙ β<br> ā a̱ a á̱ á ā̀ à<br> ǣ æ̱ æ ǽ̱ ǽ ǣ̀ æ̀<br> ɛ̄ ɛ̱ ɛ ɛ̱́ ɛ́ ɛ̄̀ ɛ̀<br> ē e̱ e é̱ é ḕ è<br> ı̄ ı̱ ı ı̱́ ı́ ı̄̀ ı̀<br> ɔ̄ ɔ̱ ɔ ɔ̱́ ɔ́ ɔ̄̀ ɔ̀<br> ō o̱ o ó̱ ó ṑ ò<br> œ̄ œ̱ œ œ̱́ œ́ œ̄̀ œ̀<br> ū u̱ u ú̱ ú ū̀ ù<br> ȳ y̱ y ý̱ ý ȳ̀ ỳ
 
* '''Į̄mχɛ̱́''': ḿ ń ŕ š ž č ǧ ř β θ ð ɕ ʝ ɟ ç ʂ ʐ χ<br> a ā a̱ á á̱ à ā̀ a̱̋ ā̏ ȁ̱ â ā̂ â̱ ǎ ā̌ ǎ̱ ā̃ ã̱<br> ɑ ɑ̄ ɑ̱ ɑ́ ɑ̱́ ɑ̀ ɑ̄̀ ɑ̱̋ ɑ̄̏ ɑ̱̏ ɑ̂ ɑ̄̂ ɑ̱̂ ɑ̌ ɑ̄̌ ɑ̱̌ ɑ̄̃ ɑ̱̃<br> ɛ ɛ̄ ɛ̱ ɛ́ ɛ̱́ ɛ̀ ɛ̄̀ ɛ̱̋ ɛ̄̏ ɛ̱̏ ɛ̂ ɛ̄̂ ɛ̌ ɛ̱̂ ɛ̄̌ ɛ̱̌ ɛ̄̃ ɛ̱̃<br> e ē e̱ é é̱ è ḕ e̱̋ ē̏ ȅ̱ ê ē̂ ê̱ ě ē̌ ě̱ ē̃ ẽ̱<br> ə ə̄ ə̱ ə́ ə̱́ ə̀ ə̄̀ ə̱̋ ə̄̏ ə̱̏ ə̂ ə̄̂ ə̱̂ ə̌ ə̄̌ ə̱̌ ə̄̃ ə̱̃<br> ı ı̄ ı̱ ı́ ı̱́ ı̀ ı̄̀ ı̱̋ ı̄̏ ı̱̏ ı̂ ı̄̂ ı̱̂ ı̌ ı̄̌ ı̱̌ ı̄̃ ı̱̃<br> į į̄ į̱ į́ į̱́ į̀ į̄̀ į̱̋ į̄̏ į̱̏ į̂ į̄̂ į̱̂ į̌ į̄̌ į̱̌ į̄̃ į̱̃<br> ɔ ɔ̄ ɔ̱ ɔ́ ɔ̱́ ɔ̀ ɔ̄̀ ɔ̱̋ ɔ̄̏ ɔ̱̏ ɔ̂ ɔ̄̂ ɔ̱̂ ɔ̌ ɔ̄̌ ɔ̱̌ ɔ̄̃ ɔ̱̃<br> o ō o̱ ó ó̱ ò ṑ ő̱ ō̏ ȍ̱ ô ō̂ ô̱ ǒ ō̌ ǒ̱ ō̃ õ̱<br> ǫ ǭ ǫ̱ ǫ́ ǫ̱́ ǫ̀ ǭ̀ ǫ̱̋ ǭ̏ ǫ̱̏ ǫ̂ ǭ̂ ǫ̱̂ ǫ̌ ǭ̌ ǫ̱̌ ǭ̃ ǫ̱̃<br> ø ø̄ ø̱ ǿ ǿ̱ ø̀ ø̄̀ ø̱̋ ø̄̏ ø̱̏ ø̂ ø̄̂ ø̱̂ ø̌ ø̄̌ ø̱̌ ø̄̃ ø̱̃<br> u ū u̱ ú ú̱ ù ū̀ ű̱ ū̏ ȕ̱ û ū̂ û̱ ǔ ū̌ ǔ̱ ū̃ ũ̱<br> ư ư̄ ư̱ ứ ứ̱ ừ ư̄̀ ư̱̋ ư̄̏ ư̱̏ ư̂ ư̄̂ ư̱̂ ư̌ ư̄̌ ư̱̌ ư̄̃ ữ̱<br> y ȳ y̱ ý ý̱ ỳ ȳ̀ y̱̋ ȳ̏ y̱̏ ŷ ȳ̂ ŷ̱ y̌ ȳ̌ y̱̌ ȳ̃ ỹ̱
<u>Fa∙u∙sto</u> xū ōw fa ī tȳn to∙ūl∙mor cak fa kōm. Tȳn tyk∙meś ty i ty∙qo i xup∙ty cas∙cā on cak sty. Pōl∙cas saw ǵa ī to∙ūl∙mor tȳn na∙fa∙to∙mī rē. <u>Fa∙u∙sto</u> ńo∙qol ād∙ef ī tȳn to∙ūl∙mor hā∙ru fa. Tȳn ēm∙mor jē up∙tsēd hā∙ru fa ȳt do na∙fa∙nūt∙or. Tȳn la nat qin fa. Tȳn la tȳn nat ka, tȳn wū tryk sty des. Tȳn la tȳn na∙fa∙to∙mī sty.
----
 
* '''Dʰakʰi''': ʡ ṅ ʰ ə ː
Ēń∙im <u>Fa∙u∙sto</u> ig fa ī tȳn kah∙meś vy∙bim fa, dān o le tȳn troj∙kȳt∙xep ud∙bej∙wor sty. "Tyk vran∙vran śle∙kīn" tȳn mī fa "Mo le ul un∙ūm∙uk fa, ul tyk byl ud wū∙prīc xup∙ty rok o∙ńo vē∙bim fa ā ī ul wū∙prīc nat ri∙qin maj ā.
* '''Ðaxi''': š ž č ǧ ç ň ř ʎ ɫ ɕ ʑ θ ð ɣ ɸ β ṙ ṅ ġ ɛ ɔ ä ü ö ɑ
 
* '''Thahi''': ʔ θ β ṅ à á á̱ â â̱ è é é̱ ê ê̱ ì í í̱ î î̱ ò ó ó̱ ô ô̱ ù ú ú̱ û û̱ ä ä́ ä̱́ ö ö́ ö̱́
Tȳn mē∙ūx∙cīn xo mē∙ūx to∙e∙meś to nō∙bim. Dān o le tȳn mē∙ūx to∙e∙meś dū∙bim fa, tȳn un∙ūm∙uk fa, tȳn wū drug prīc par nat ri∙qin maj. To∙kīn∙meś to∙e∙meś stā. Tsēd o le tȳn to∙kīn∙meś to∙piǵ sty, <u>Fa∙u∙sto</u> <u>Ru∙is</u> nu un∙ūm∙uk fa, wū nār∙meś xup∙ty rok o∙ńo fa∙ē fa.
* '''Ṙaçi''': ʔ ɬ ň š ž č ǧ ɕ ç ʝ ṙ ḣ ṅ ġ ḃ ʈ ɖ ɳ ɽ ɽ̇ ɭ ʂ ʐ ɟ ä ö ü ə
 
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''Do ā le <u>Kris</u> <u>Row∙sej</u> ta lā fa.''
* '''Proto-Alri''': ʡ ṗ k̇ ṫ ʈ ʂ ɽ ʰ ə
 
* '''Nämty''': ħ β ň š č ɕ ç ɟ ʂ ʎ ä ë ö ü ɑ
 
* '''Foħθīri''': ħ θ ň š ž č ğ ɕ ç ģ ɟ ṙ æ œ ā ē ī ō ū
'''English original text''':
* '''Cažorih''': ʔ š ž č ğ ç ģ ḣ ɣ β ə ɛ ɔ ã ɛ̃ ẽ ĩ ɔ̃ õ ũ ə̃ ỹ
 
* '''Hoð‘i''': ð ň š ž č ģ ɟ ż ṙ ɣ æ ɛ ɔ ə ‘
<center>'''''The comeback'''''</center>
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* '''Proto-Saːkdi''': ʡ ħ ŋ ɴ ʂ ʐ ʈ ɖ ɑ ɛ ɔ ː
''Fausto Ruiz got off the boat at the port of the city where he had been born fifty years ago, and to which he had not returned for twenty years. He walked along the seafront, surprised by how much his hometown had changed, and also by how much of it he could still recognise. There were lots of new buildings up on the hills around the city now, buildings which he didn’t recognise. Yet many of the old buildings along the sea were exactly the same as he remembered them, although many of the old shops he remembered were there no more.''
* '''Rertu''': ʔ ɟ ŋ š ž ɑ ɛ ɔ ā́ ɑ̄́ ɛ̄́ ḗ ī́ ɔ̄́ ṓ ū́ ā̀ ɑ̄̀ ɛ̄̀ ḕ ī̀ ɔ̄̀ ṑ ū̀
 
* '''Žérði''': ð ɣ ɸ β ç š ž č ğ ɑ ɛ ɔ à á â ǎ ɑ̀ ɑ́ ɑ̂ ɑ̌ ɛ̀ ɛ́ ɛ̂ ɛ̌ è é ê ě ì í î ǐ ɔ̀ ɔ́ ɔ̌ ɔ̂ ò ó ô ǒ ù ú û ǔ
''He walked away from the port and into the centre of the city. He walked up the main road and saw how all the shops had changed, but that there was still one small café there which was the same as it had been when he was young and famous. He walked into the café and sat down at one of the tables. He recognised the owner of the café behind the bar as well as the waiter who was working there. They both looked much, much older. Fausto felt certain that he didn’t look as old as they did, even though they were all twenty years older now.''
* '''Eβmiʔ''': ʔ ň š ž č ğ ʎ ð ɣ ɸ β ç ʝ ʂ ʈ ɖ ɽ ɑ ä å ɛ ɔ ö ü
 
* '''Ỹhɛ''': š ž č ğ ɟ ɣ ç ʝ ɕ ʑ ɑ ä å ɛ ɔ ö ü ã ɑ̃ ä̃ å̃ ɛ̃ ẽ ɔ̃ ĩ õ ö̃ ũ ü̃ ỹ
''Fausto sat at his table and waited for the waiter to come to him. He sat there for ten, fifteen, twenty minutes. Half an hour passed and the waiter continued to ignore him. Fausto raised his arm and shouted to the waiter, then to the owner of the café behind the bar, but it was useless. They didn’t come and ask him what he wanted. They were ignoring him.''
 
''Angry, Fausto got up and walked out of the café, slamming the door behind him. Such ignorant people, he thought. Now I remember why I left this town twenty years ago and why I never came back.''
 
''He walked along the main street as far as the main square in the town and when he arrived at the main square he remembered the other reason why he had never come back. In the main square of the town there was the theatre. As he looked at the theatre, Fausto Ruiz had a terrible memory of what had happened there twenty years ago.''
 
''Twenty years ago, Fausto Ruiz had been the most famous singer in the world. He had sung in all of the most famous opera houses in the world. He had sung in London, New York, Moscow, Buenos Aires, Tokyo and Sydney. Everywhere he went, people paid large sums of money for tickets, then when they saw him sing they clapped and applauded and cheered for hours. When he was at the height of his fame, Fausto Ruiz decided to come back to his home town and to sing in a triumphant concert in the theatre on the main square of the town.''
 
''The concert was announced and all the tickets sold out within a few hours. The evening of the concert, thousands of people crowded into the theatre to see the legendary Fausto Ruiz sing in the theatre of his hometown.''
 
''There was silence as Fausto walked onto the stage. Then he began to sing one of his best-known songs. And at the end of the song, there was just silence. Nobody clapped, nobody applauded, nobody cheered. Fausto waited, very surprised for a moment, then started to sing another song. At the end of this song, there was silence for a moment, then the people began to boo and to hiss. Fausto tried to cover the noise of the booing and hissing by singing another song, very loudly this time. But it got worse. The louder he sang, the louder the boos and hisses became. Then someone threw a tomato at him. Then someone else threw a rotten orange at him. Then someone else threw an old shoe at him. Soon, there was a rain of rotten fruit and vegetables and smelly old shoes falling down on the great Fausto Ruiz. Fausto was angry. Fausto was furious. He stormed off the stage and out of the theatre. He left his hometown that night, and he said that he would never, ever go back there ever again.''
 
''But twenty years later, Fausto Ruiz changed his mind. He was getting old now, he thought, and he wanted to go back home again, to see the town where he had grown up. But in the café, he realised that perhaps not much had really changed. He decided to walk into the theatre. As he walked in he saw the man selling tickets in the box office. It was the same man from twenty years ago. Fausto said hello to him but the man said nothing and ignored him. "Still the same" thought Fausto. He walked into the theatre and got up onto the empty stage. He thought he could hear the terrible booing and hissing of that night twenty years ago.''
 
''He felt sad, and left the theatre and decided to go and visit the house where he had been born fifty years ago. He walked all the way across the town, expecting to be recognised by people. When he got close to his old house he walked through the park where he had played as a small child. He saw some men there, the same age as he was, and thought that he remembered them. They were people who had been his friends when he was at school. He walked over to them to say hello, but they too ignored him. He walked past the old shops near his house. They hadn’t changed. There were still the same people there, all of whom ignored him.''
 
''He was so angry and so disappointed now that he began to shout as he walked along the streets. "I am the great Fausto Ruiz!!! The greatest singer the world has ever heard!!!" Nobody took any notice of him. He continued "Don’t you know me??? Don’t you recognise me???" Nobody took any notice.''
 
''When he finally reached his old house he at least had a pleasant surprise. Outside the house, there was a statue, and it was a statue of himself. "Finally!" thought Fausto. "Somebody has recognised my genius! They put up a statue of me ... and they never even told me!"''
 
''Fausto went to have a closer look at the statue. There was some writing at the bottom of the statue. "Fausto Ruiz" it said "Singer". Fausto was disappointed that it said only "singer" and not "the greatest singer in the world", but at least it was a statue. There was some more writing. He looked carefully at it. There was his date of birth, fifty years ago. And then there was something else. It was the date of his death. And the date was two months ago.''
 
''by Chris Rose''

Latest revision as of 00:40, 12 August 2024

Special letters

  • Proto-Piti: ʔ ŋ ɬ ṕ ḱ t́ ɳ ʂ ʈ χ ʰ æ ː
  • Kī́rtako: ʔ š ñ ɣ ā́ ḗ ī́ ṓ ū́ ā̀ ḕ ī̀ ṑ ū̀ ɑ
  • Iðâɣ: š ð ɣ ɸ β ç č ə à á â ǎ è é ê ě ì í î ǐ ò ó ô ǒ ù ú û ǔ
  • Læntixu: ñ ʎ θ ɸ č ž š ç æ ɛ ‘
  • ancient Figo: ɕ č š θ ň ə ɛ ā ē ī ō ū
  • modern Figo: š ž č ǧ ç ň ř θ ɣ ə ã ẽ ĩ õ ũ ə̃
  • Biwdiw: ʈ ʂ š ž č ç ǰ ň ʎ ɛ ā ē ī ō ū
  • Gəjlnigo: ṕ ḱ t́ b́ ǵ d́ ć ḿ ń ŕ ĺ ś ź v́ h́ č ǧ ǰ š ž ň ʎ ə ɔ
  • Cärähə: ṕ ḱ t́ b́ ǵ d́ ć ḿ ń ŕ ś h́ x́ ǰ ç ɟ ɕ ī ə ä ü ő ö
  • Viwdiwgu: č ǧ š ž ň ɣ ç ʝ ṡ ɛ ä ü ő ö ə ā ī ō ū
  • Jeʂtəra: ʔ ṕ ḱ t́ ʂ ʈ ð ɳ ə ā ē ī ō ū

  • Βaβar: β ɸ ð ɣ ç ɟ š ž ɴ ʂ ʐ ʈ ɖ kxʼ tsʼ ʈʂʼ tɬʼ ā ī ū ə

  • Memniq: ʔ ħ ť ț ç š ž ŕ ś ć ä ö ë

  • Æbbro: š ž ś ź æ

  • Pı̇ħ: ʔ ŋ ħ ɬ ɸ ɴ ɛ ı ɔ ȧ ạ ɛ̇ ɛ̣ ė ẹ ı̇ ı̣ ɔ̇ ɔ̣ ȯ ọ u̇ ụ
  • Pı̀: ç š č ɕ ñ
    a ā a̱ á ā́ á̱ à ā̀ â ā̂ â̱ ǎ ā̌ ǎ̱ a̱̋ ā̏ ȁ̱ ā̃ ã̱
    ɑ ɑ̄ ɑ̱ ɑ́ ɑ̄́ ɑ̱́ ɑ̀ ɑ̄̀ ɑ̂ ɑ̄̂ ɑ̱̂ ɑ̌ ɑ̄̌ ɑ̱̌ ɑ̱̋ ɑ̄̏ ɑ̱̏ ɑ̄̃ ɑ̱̃
    æ ǣ æ̱ ǽ ǣ́ ǽ̱ æ̀ ǣ̀ æ̂ ǣ̂ æ̱̂ æ̌ ǣ̌ æ̱̌ æ̱̋ ǣ̏ æ̱̏ ǣ̃ æ̱̃
    e ē e̱ é ḗ é̱ è ḕ ê ē̂ ê̱ ě ē̌ ě̱ e̱̋ ē̏ ȅ̱ ē̃ ẽ̱
    ɛ ɛ̄ ɛ̱ ɛ́ ɛ̄́ ɛ̱́ ɛ̀ ɛ̄̀ ɛ̂ ɛ̄̂ ɛ̌ ɛ̱̂ ɛ̄̌ ɛ̱̌ ɛ̱̋ ɛ̄̏ ɛ̱̏ ɛ̄̃ ɛ̱̃
    ə ə̄ ə̱ ə́ ə̄́ ə̱́ ə̀ ə̄̀ ə̂ ə̄̂ ə̱̂ ə̌ ə̄̌ ə̱̌ ə̱̋ ə̄̏ ə̱̏ ə̄̃ ə̱̃
    ı ı̄ ı̱ ı́ ı̄́ ı̱́ ı̀ ı̄̀ ı̂ ı̄̂ ı̱̂ ı̌ ı̄̌ ı̱̌ ı̱̋ ı̄̏ ı̱̏ ı̄̃ ı̱̃
    ɪ ɪ̄ ɪ̱ ɪ́ ɪ̄́ ɪ̱́ ɪ̀ ɪ̄̀ ɪ̂ ɪ̄̂ ɪ̱̂ ɪ̌ ɪ̄̌ ɪ̱̌ ɪ̱̋ ɪ̄̏ ɪ̱̏ ɪ̄̃ ɪ̱̃
    o ō o̱ ó ó̱ ò ṑ ṓ ő̱ ō̏ ȍ̱ ô ō̂ ô̱ ǒ ō̌ ǒ̱ ō̃ õ̱
    ɔ ɔ̄ ɔ̱ ɔ́ ɔ̄́ ɔ̱́ ɔ̀ ɔ̄̀ ɔ̂ ɔ̄̂ ɔ̱̂ ɔ̌ ɔ̄̌ ɔ̱̌ ɔ̱̋ ɔ̄̏ ɔ̱̏ ɔ̄̃ ɔ̱̃
    ø ø̄ ø̱ ǿ ø̄́ ǿ̱ ø̀ ø̄̀ ø̂ ø̄̂ ø̱̂ ø̌ ø̄̌ ø̱̌ ø̱̋ ø̄̏ ø̱̏ ø̄̃ ø̱̃
    u ū u̱ ú ū́ ú̱ ù ū̀ û ū̂ û̱ ǔ ū̌ ǔ̱ ű̱ ū̏ ȕ̱ ū̃ ũ̱
    ʊ ʊ̄ ʊ̱ ʊ́ ʊ̄́ ʊ̱́ ʊ̀ ʊ̄̀ ʊ̂ ʊ̄̂ ʊ̱̂ ʊ̌ ʊ̄̌ ʊ̱̌ ʊ̱̋ ʊ̄̏ ʊ̱̏ ʊ̄̃ ʊ̱̃
  • Bīṙ: b́ ǵ d́ ć ḿ ń ŕ ś ź h́ v́ ć ʎ ṙ β
    ā a̱ a á̱ á ā̀ à
    ǣ æ̱ æ ǽ̱ ǽ ǣ̀ æ̀
    ɛ̄ ɛ̱ ɛ ɛ̱́ ɛ́ ɛ̄̀ ɛ̀
    ē e̱ e é̱ é ḕ è
    ı̄ ı̱ ı ı̱́ ı́ ı̄̀ ı̀
    ɔ̄ ɔ̱ ɔ ɔ̱́ ɔ́ ɔ̄̀ ɔ̀
    ō o̱ o ó̱ ó ṑ ò
    œ̄ œ̱ œ œ̱́ œ́ œ̄̀ œ̀
    ū u̱ u ú̱ ú ū̀ ù
    ȳ y̱ y ý̱ ý ȳ̀ ỳ
  • Į̄mχɛ̱́: ḿ ń ŕ š ž č ǧ ř β θ ð ɕ ʝ ɟ ç ʂ ʐ χ
    a ā a̱ á á̱ à ā̀ a̱̋ ā̏ ȁ̱ â ā̂ â̱ ǎ ā̌ ǎ̱ ā̃ ã̱
    ɑ ɑ̄ ɑ̱ ɑ́ ɑ̱́ ɑ̀ ɑ̄̀ ɑ̱̋ ɑ̄̏ ɑ̱̏ ɑ̂ ɑ̄̂ ɑ̱̂ ɑ̌ ɑ̄̌ ɑ̱̌ ɑ̄̃ ɑ̱̃
    ɛ ɛ̄ ɛ̱ ɛ́ ɛ̱́ ɛ̀ ɛ̄̀ ɛ̱̋ ɛ̄̏ ɛ̱̏ ɛ̂ ɛ̄̂ ɛ̌ ɛ̱̂ ɛ̄̌ ɛ̱̌ ɛ̄̃ ɛ̱̃
    e ē e̱ é é̱ è ḕ e̱̋ ē̏ ȅ̱ ê ē̂ ê̱ ě ē̌ ě̱ ē̃ ẽ̱
    ə ə̄ ə̱ ə́ ə̱́ ə̀ ə̄̀ ə̱̋ ə̄̏ ə̱̏ ə̂ ə̄̂ ə̱̂ ə̌ ə̄̌ ə̱̌ ə̄̃ ə̱̃
    ı ı̄ ı̱ ı́ ı̱́ ı̀ ı̄̀ ı̱̋ ı̄̏ ı̱̏ ı̂ ı̄̂ ı̱̂ ı̌ ı̄̌ ı̱̌ ı̄̃ ı̱̃
    į į̄ į̱ į́ į̱́ į̀ į̄̀ į̱̋ į̄̏ į̱̏ į̂ į̄̂ į̱̂ į̌ į̄̌ į̱̌ į̄̃ į̱̃
    ɔ ɔ̄ ɔ̱ ɔ́ ɔ̱́ ɔ̀ ɔ̄̀ ɔ̱̋ ɔ̄̏ ɔ̱̏ ɔ̂ ɔ̄̂ ɔ̱̂ ɔ̌ ɔ̄̌ ɔ̱̌ ɔ̄̃ ɔ̱̃
    o ō o̱ ó ó̱ ò ṑ ő̱ ō̏ ȍ̱ ô ō̂ ô̱ ǒ ō̌ ǒ̱ ō̃ õ̱
    ǫ ǭ ǫ̱ ǫ́ ǫ̱́ ǫ̀ ǭ̀ ǫ̱̋ ǭ̏ ǫ̱̏ ǫ̂ ǭ̂ ǫ̱̂ ǫ̌ ǭ̌ ǫ̱̌ ǭ̃ ǫ̱̃
    ø ø̄ ø̱ ǿ ǿ̱ ø̀ ø̄̀ ø̱̋ ø̄̏ ø̱̏ ø̂ ø̄̂ ø̱̂ ø̌ ø̄̌ ø̱̌ ø̄̃ ø̱̃
    u ū u̱ ú ú̱ ù ū̀ ű̱ ū̏ ȕ̱ û ū̂ û̱ ǔ ū̌ ǔ̱ ū̃ ũ̱
    ư ư̄ ư̱ ứ ứ̱ ừ ư̄̀ ư̱̋ ư̄̏ ư̱̏ ư̂ ư̄̂ ư̱̂ ư̌ ư̄̌ ư̱̌ ư̄̃ ữ̱
    y ȳ y̱ ý ý̱ ỳ ȳ̀ y̱̋ ȳ̏ y̱̏ ŷ ȳ̂ ŷ̱ y̌ ȳ̌ y̱̌ ȳ̃ ỹ̱

  • Dʰakʰi: ʡ ṅ ʰ ə ː
  • Ðaxi: š ž č ǧ ç ň ř ʎ ɫ ɕ ʑ θ ð ɣ ɸ β ṙ ṅ ġ ɛ ɔ ä ü ö ɑ
  • Thahi: ʔ θ β ṅ à á á̱ â â̱ è é é̱ ê ê̱ ì í í̱ î î̱ ò ó ó̱ ô ô̱ ù ú ú̱ û û̱ ä ä́ ä̱́ ö ö́ ö̱́
  • Ṙaçi: ʔ ɬ ň š ž č ǧ ɕ ç ʝ ṙ ḣ ṅ ġ ḃ ʈ ɖ ɳ ɽ ɽ̇ ɭ ʂ ʐ ɟ ä ö ü ə

  • Proto-Alri: ʡ ṗ k̇ ṫ ʈ ʂ ɽ ʰ ə
  • Nämty: ħ β ň š č ɕ ç ɟ ʂ ʎ ä ë ö ü ɑ
  • Foħθīri: ħ θ ň š ž č ğ ɕ ç ģ ɟ ṙ æ œ ā ē ī ō ū
  • Cažorih: ʔ š ž č ğ ç ģ ḣ ɣ β ə ɛ ɔ ã ɛ̃ ẽ ĩ ɔ̃ õ ũ ə̃ ỹ
  • Hoð‘i: ð ň š ž č ģ ɟ ż ṙ ɣ æ ɛ ɔ ə ‘

  • Proto-Saːkdi: ʡ ħ ŋ ɴ ʂ ʐ ʈ ɖ ɑ ɛ ɔ ː
  • Rertu: ʔ ɟ ŋ š ž ɑ ɛ ɔ ā́ ɑ̄́ ɛ̄́ ḗ ī́ ɔ̄́ ṓ ū́ ā̀ ɑ̄̀ ɛ̄̀ ḕ ī̀ ɔ̄̀ ṑ ū̀
  • Žérði: ð ɣ ɸ β ç š ž č ğ ɑ ɛ ɔ à á â ǎ ɑ̀ ɑ́ ɑ̂ ɑ̌ ɛ̀ ɛ́ ɛ̂ ɛ̌ è é ê ě ì í î ǐ ɔ̀ ɔ́ ɔ̌ ɔ̂ ò ó ô ǒ ù ú û ǔ
  • Eβmiʔ: ʔ ň š ž č ğ ʎ ð ɣ ɸ β ç ʝ ʂ ʈ ɖ ɽ ɑ ä å ɛ ɔ ö ü
  • Ỹhɛ: š ž č ğ ɟ ɣ ç ʝ ɕ ʑ ɑ ä å ɛ ɔ ö ü ã ɑ̃ ä̃ å̃ ɛ̃ ẽ ɔ̃ ĩ õ ö̃ ũ ü̃ ỹ