Senjecas Phonology

1.0 Introduction – tüı̋va

• 1.1 Senjecas (Ancient-Speech) is the name given to the language that was first spoken by loquent beings. It was implanted by Yumu in the Children of Air, the Ethrans, the first created of the Six Loquent Peoples when s/he sang their unique song into their ears. Subsequently s/he sang their unique songs into the ears of the other Loquent Peoples as they were created. It remained the only language spoken by the Six Loquent Peoples until the Great Sundering. After this, differences between the Peoples and regional differences within each People arose which led to the development of diverse languages, many of which became mutually unintelligible. The ability to speak Senjecas had never been lost by the Ethrans or by the Xylans, the Children of Wood, who had been unaffected by the Great Sundering. In the renascence that began after the Children of Earth (the Humans) recovered from the Great Sundering, Senjecas was restored as the medium of communication among the Six Loquent Peoples.
• 1.2 The language is a fusional language with a system of declensions and conjugations; endocentric compounding is common. It is a Type A tonal language (register system) with an absence of velar and uvular sounds and limited consonant clusters. It is classed as a nominative-accusative language.
• 1.3 This grammar is divided into six sections. Part I describes the phonology of the language. In this section is discussed the writing and the sounds of the language, the syllabification and accenting of words, punctuation, and prosody. Part II describes the inflection of the words. In this section is discussed the formation of individual words in their several categories (nouns, verbs, etc.). Part III describes the syntax. In this section are discussed the rules governing the way words are combined to form sentences. Part IV describes word formation, the way in which individual words are combined to form new words. Part V is an appendix with various lists. Part VI is a table of orthographies.

2.0 Part I – Phonology – tűlo p – ȝéxsüensą̋ra

• 2.1 The Alphabet – rųnpa̋fa
  • 2.1.1 The Senjecan alphabet has 33 graphemes: 24 consonants and nine vowels.
  • 2.1.2 Several alphabets have been in use since the Ethrans invented graphemes for writing Senjecas. In all of them there is a one-to-one correspondence between the grapheme (letter) and the phoneme (sound).
  • 2.1.3 The earliest alphabet consists of rectilinear graphemes which are acrophonic, i.e., they represent the object used as the name of the letter, not unlike the Phoenician alphabet at its origin. These were devised in the first era by the Ethrans for recording their great discoveries.
  • 2.1.5 A second alphabet consists of cursive graphemes derived from the aforementioned rectilinear graphemes. These were devised in the fifth era by the Xylans for carving in wood. Because they are not symmetrical they may be used as runes. These rectilinear graphemes were adopted by the Lithans for carving in stone.
  • 2.1.4 A third alphabet consists of symbols derived from the preceding cursive symbols, but suitable for brush strokes. These were devised in the third era by the Hydorans and continue to be used by them.
  • 2.1.6 The order of the graphemes is based on phonetic principles phonetic principles that consider both the manner and place of articulation (POA). This arrangement is referred to as the rųntőxo, wreath of letters. The order is labials, dentals, alveolars and palatals, followed by the vowels: p, b, f, v, ɱ, m; t, d, þ, ð, ɫ, l; c, ᵶ, s, z, r, n; k, g, x, ᵹ, h, ȝ; i, e, a, ɵ, o, u, ɛ, ɪ, y.

The graphemes are named after some natural object, the name of which begins with that grapheme. This name is placed in the -o class, the inanimate class.

grapheme	p	b	f	v	ɱ	m	-	t	d	þ	ð	ɫ	l	-	c	ᵶ	s	z	r	n	-	k	g	x	ᵹ	h	ȝ
IPA	/p/	/b/	/ɸ/	/β/	/m̥/	/m/	-	/t/	/d/	/θ/	/ð/	/l̥/	/l/	-	/ʦ/	/ʣ/	/s/	/z/	/ɾ̥/	/n/	-	/k/	/g/	/ç/	/ʝ/	/ȷ̊/	/j
Name	pűgo	be̋so	fı̜̋lo	vą̋ho	ɱe̋ho	ma̋no	-	tüa̋lo	dǫ̋uro	þı̜̋vno	ðűxo	ɫa̋fo	la̋ko	-	ca̋so	ᵶɪ̜̋ro	sűɱo	zɔ̋ro	rı̜̋so	nőso	-	kudı̋ro	güőɱo	xa̋fo	ᵹűᵹro	ha̋ico	ȝa̋nlo

grapheme	i	e	a	ɵ	o	u	-	ı	ɛ	y
IPA	/i/	/e/	/a/	/ɑ/	/o/	/u/	-	/ı/	/ɛ/	/ʊ/
Name	ikűȝo	e̋lɱo	agüe̋slo	?	oɱe̋ro	űsro	-	nı̋þi	nı̋þe	nı̋þu

• • 2.1.7 By the time the Humans had begun writing, the Peoples were already dispersed among them. As the various human cultures began to write, the Peoples took advantage of the various alphabets for writing their own language, but at all times retaining their skill in their three original alphabets.
  • 2.1.8 The Committee on Orthography of the Council of Mages (seilűm muþiȝűs rųnȝara̋s ᵹóɱa áulmuþı̋ȝu – S.M.R.A.) has always desired to make the various human alphabets as simple as possible by not using digraphs or diacritics. As the human alphabets have developed over time, the S.M.R.A. has updated the orthographies to match, keeping in mind the phonemes used in Senjecas. The use of the Latin alphabet by various languages has given the committee greater freedom to represent the Senjecan phonemes. I have chosen their currently approved Latin alphabet for this work.
  • 2.1.9 The following non-standard graphemes have been adopted.
    • <þ> (thorn) and <ð> (eth) have been retained from the Anglo-Saxon alphabet for the voiceless and voiced dental fricatives /θ/ and /ð/ respectively.
    • <ȝ> (yogh) has been retained from the Middle English alphabet for the voiced palatal approximant /j/.
    • <ɫ> represents the voiceless dental lateral sonorant /l̥/, as it does in several languages.
    • <ᵶ> represents the voiced alveolar affricate /ʣ/. Italians often use it for the /ʣ/ sound in hand-writing.
    • <ɱ> has been retained from the Old English alphabet for the voiceless bilabial nasa /m̊/.
    • <ᵹ> the Insular G, represents the voiced palatal fricative /ʝ/, as it did in Irish linguistics.
    • <ɵ> is taken from the IPA and represents the open back rounded vowel /ɒ/.
    • <ɛ> represents the open mid-front unrounded vowel /ɛ/.
    • <ı> represents the near-close near–front vowel /ı/.
    • <y> represents the near-close near–back vowel /ʊ/, in imitation of the Cyrillic <у> used for the unstressed allophone of /u/.
  • 2.1.10 Each of the graphemes is named after a natural creature whose name begins with that grapheme or whose name includes that grapheme. The long vowels are specified as pı̋ða (long a), pı̋ðe (long e), etc.
• 2.2 The Consonants - boðsüe̋nos
  • 2.2.1 The consonants are divided, according to the organs of speech by which they are produced, into stops (plosives), fricatives, and sonorants. In Senjecas these organs include the lips (labials), the teeth (dentals), the alveolus (alveolars), and the palate (palatals). Each consonant may be either voiced or unvoiced. There are no geminate consonants.
  • 2.2.2 Senjecan linguists speak of two types of consonants, male and female. The plosives <p/b, t/d, k/g, c/ᵶ> are male consonants; they must undergo lenition when followed by another consonant. The fricatives <f/v, þ/ð, x/ᵹ, s/z> and the sonorants <ɱ/m, ɫ/l, r/n, h/ȝ> are female. They do not undergo lenition.
  • 2.2.3 Labialized and palatalized consonants are not considered to be separate graphemes but are ordered after the principal consonant, labialized, then palatalized, e.g., dűta, düő, dÿa̋ᵹe.
  • 2.2.4 When using the Latin alphabet, labialization is indicated by placing <ü> after a consonant <cü>, <dü>. Palatalization is indicated by placing <ÿ> after a consonant <cÿ>, <dÿ>.
  • 2.2.5 The following table gives the relationship of these consonants, as understood by the speakers of Senjecas.

	Bilabial	Dental	Alveolar	Palatal
Stops	p/b	t/d	c/ᵶ	k/g
Fricatives	f/v	þ/ð	s/z	x/ᵹ
Sonorants	ɱ/m	ɫ/l	r/n	h/ȝ

• • 2.2.6 These consonants are pronounced as in English, with the following exceptions:

<c> represents the voiceless alveolar affricate /ʦ/.

<ᵶ> represents the voiced alveolar affricate /ʣ/.

<f> and <v> are bilabials as in Spanish, not labiodentals as in English.

<þ> and <ð> taken from Icelandic represent the sounds as in thigh, and as in thy, respectively, which are interdental in English, but dental in Senjecas.

<x> represents the sound <ch> as in the German ich, not the <ch> as in the German bach.

<ᵹ> taken from the Insular script represents the voiced counterpart of <x> as found in Spanish intervocalic <g>, haga.

<ɫ> taken from the IPA, represents the voiceless counterpart of <l>. It occurs in English after a voiceless consonanct, e.g., pleat (cf. bleat).

<ɱ> taken from the IPA, represents the voiceless counterpart of the English m. It occurs in English after a voiceless consonant, e.g., smoke (cf. mutt).

<l> represents the clear <l> of light, never the dark <l> of dull.

<r> represents the voiceless counterpart of the Spanish tap <r>, /ɾ/.

<h> represents the voiceless counterpart of <j>. It occurs in English after a voiceless consonant, e.g., the y-glide between the <p> and the <u> in puny (cf. beauty).

• • 2.2.7 Only consonant clusters of two consonants are permitted in Senjecas.
  • 2.2.8 When it happens that the addition of a morpheme would result in a three-consonant cluster, an epenthetic <ɛ> is inserted for euphony, e.g., ha̋nse, goose, + þűȝo, feast = hansɛþűȝo, winter solstice feast. This epenthetic <ɛ> is ordered after <e> in an alphabetical listing.
  • 2.2.9 Consonant clusters may not contain two stops, e.g., <gb>. In order to prevent this, when a morpheme with an initial stop is added to a base with a final stop, the final stop is muted to the corresponding fricative in a process known as lenition. Thus, pe̋do, foot, + są̋ba, sign = peðsą̋bo, footprint.
• 2.3 Vowels and Diphthongs – cÿųsüe̋nosküe düocÿųsüe̋nosküe
  • 2.3.1 Senjecas has six strong vowel phonemes. They are ordered from front non-rounded closed to back rounded closed, <i>, <e>, <a>, <ɵ>, <o>, and <u>.

	front	near-front	central	near-back	back
close	<i>//i/				<u>//u/
near-close		<ı>//ı/		<y>//ʊ/
mid			<ɛ>//ɛ/
close-mid	<e>//e/				<o>//o/
open	<a>//a/				<ɵ>//ɒ/

• • 2.3.2 The vowels are the pure vowels found in Italian or Spanish. Remember to keep the <e> and the <o> pure, without the <i> or <u> glides that occur in the English pronunciation of these phonemes.
  • 2.3.3 The Senjecan strong vowel can be either long or short. The long vowels are indicated, when using the Latin alphabet, by using the ogonek (ke̋ᵹko): <į, ę, ą, ǫ, ɔ̨>, and <ų>. The quality of the long vowel is not changed, but it is pronounced for a longer time than the short vowel.
  • 2.3.4 There are three weak vowels.
  • The nı̋þe (weak e, <ɛ>, /ɛ/) is used to prevent disallowed consonant clusters, e.g., ǧistɛᵶę̋no, fingerprint.
  • The nı̋þi (weak i, <ı>, /ı/) is used when a palatalized consonant is followed by a consonant, e.g., gőḷi, doe; golıkǫ̋no, doeskin.
  • The nı̋þu (weak u, <y>, /ʊ/) is used when a labialized consonant is followed by a consonant, e.g., süúsüu, crush, süusydǫ̋a, reciprocate.
  • 2.3.5 Diphthongs in Senjecas are treated as a unit with the first vowel receiving the accent when that syllable is accented, e.g., ȝa̋uno, place of birth; küéiþᵶųmta̋ino, cenotaph.
• 2.4 Elision – dų̋ra
  • 2.4.1 Elision is the omission of one or more sounds in a word or phrase. It occurs in Senjecas when a word with a final vowel occurs before a word with an initial vowel. The two words are written separately and an apostrophe marks the omission. When writing with the various Senjecan alphabets, no apostrophe is used.
  • 2.4.2 Elision occurs with the negating particles ne and mę, which are always elided with a following initial vowel, e.g., n' íðu, not here.
  • 2.4.3 Elision occurs when the final vowel of a word is the same as the initial vowel of the following word.

tu mįðta̋sküe mÿagőskü' éna őutaþu ı̋la:

You are clothed with majesty and glory.

• 2.5 Syllabification – saɱmelős kı̨̋a
  • 2.5.1 A Senjecan word has as many syllables as it has vowels or diphthongs. The last syllable is called the ultima. The syllable next to the last is called the penult(ima[te]). The one before the penult is called the antepenult(imate).
  • 2.5.2 A single consonant between two vowels belongs to the following vowel, e.g., a-sű-ru, prince.
  • 2.5.3 Two contiguous consonants are separated with the first consonant going with the preceding syllable, e.g., ðe̋us-ka, dusk.
• 2.6 Tone – süenlę̋pa
  • 2.6.1 In many modern languages, such as English, the accent is known as stress accent in which the accented syllable is pronounced more intensely than the other syllables. In Senjecas, as in some modern languages, the accent is known as register pitch accent in which the vowel of the primary syllable is pronounced on a higher pitch. The Senjecas accent was thus a musical one. There are three pitches in Senjecas, the primary, the secondary, and the basal. These are relative pitches and their absolute pitch will vary with the individual speaker.
  • 2.6.2 Accent marks are not used when writing in any of the Senjecan alphabets. More for the sake of the non-Senjecan reader than anything else, accent marks are used with the Latin alphabet. A double acute accent marks the primary pitch, e.g., re̋ka, decide. A single acute accent marks the secondary pitch, e.g., íðu, here. The basal pitch is unmarked.
  • 2.6.3 For purposes of tone, Senjecan words are placed into two categories: those which take the primary pitch (verbs, nouns, adjectives, and interjections) and those which do not (the other words).
  • 2.6.4 Monosyllables, except for interjections and cardinal numbers, are pronounced on the basal pitch.
  • 2.6.5 The primary pitch regularly stands on the penult. When the verb is finite, the primary pitch remains on the penult, e.g., myműda. With the participles, the pitch is shifted so as to remain on the stem vowel, e.g., műdanti, műdaþu.
  • 2.6.6 The primary pitch may not be any farther back than the antepenult.
  • 2.6.7 Nouns and adjectives take the primary pitch on the penult, e.g., sőngo, shin; saþɛda̋ro, caravansary; ȝų̋smo, yeast; güara̋ni, uphill.
  • 2.6.8 When nouns and adjectives are compounded, the root word retains the primary pitch and secondary pitches are placed on every other syllable backward (not counting the weak vowels), e.g., rűþ, six, + pı̋nto, surface, + le̋mko, piece = rúþpintɛle̋mo, a game piece.
  • 2.6.9 Some monosyllables attach themselves so closely to the preceding word that they do not influence the accent. These are called clitics and comprise an exception to the regular accent pattern.
    • 2.6.9.1 Enclitics join with the preceding word, e.g., the conjunction -küe, and; ɱı̋rusküe güe̋nusküe, men and women.
    • 2.6.9.2 Proclitics join to the following word, e.g., e-, the morpheme for the past tense; se̋da, sit; e-se̋da, sat. Orthographically, the proclitics are linked to the word with a figure dash.
• 2.7 Prosody – süenme̋ura
  • 2.7.1 In Senjecan poetry the Senjecan word is described in terms of the length of the sounds rather than the pitch. This quantitative meter consists of long syllables and short syllables, where a long syllable takes longer to pronounce than a short syllable. The pitch of the words makes no difference to the meter.
  • 2.7.2 The length of the sound is known as a mora (sáɱpulpı̋ðo). There are long and short morae.
  • 2.7.3 The following examples are monomoraic: a, da, d̬a.
  • 2.7.4 The following examples are bimoraic: ą, ai, dą, d̬as.
  • 2.7.5 The following examples are trimoraic: ąi, dąi, d̬ais.
  • 2.7.6 Examples:

ba̋-ka has two morae, ba̋-ko-s has three.

ca̋-ma has two morae, ca̋-l-ma has three.

• 2.8 Punctuation – tosᵶę̋na
  • 2.8.1 The following punctuation is used with the three Senjecan alphabets.

An interpunct (⋅) (ɱįbőto) is used instead of spaces between words. This is no longer used in contemporary scripts, although it may be seen in formal writing.

A period (.) (küilbőto) is used to set off vocative exclamations and absolute phrases. It is also used to separate two independent clauses joined by a co-ordinating conjunction.

An em dash (—) (meinbőto) is used to set off dependent clauses. No distinction is made between restrictive and non-restrictive clauses.

A figure dash (-) (ᵹeðbőto) is used to join clitics to the main word.

A colon (:) (düobőto) is used to mark the end of a sentence.

A vertical ellipsis (⋮) (tirbőto) is used to mark the end of a paragraph.

The function of quotation marks is taken by the quotative particle ɱa(r) placed before and after the quoted words.

Question marks and exclamation points are not used.

The spelling of Senjecas is unicameral, i.e., there are no capital letters. When the language is transliterated, the capitalization rules of the receiving language may be used.